Country homes -- Fiction; Domestic fiction; England -- Fiction; Inheritance and succession -- Fiction
The exchange of observations between the friends had grown very direct
by the time Fleda asked Mrs. Gereth whether she literally meant to shut
herself up and stand a siege, or whether it was her idea to expose
herself, more informally, to be dragged out of the house by constables.
"Oh, I prefer the constables and the dragging!" the heroine of Poynton
had answered. "I want to make Owen and Mona do everything that will be
most publicly odious." She gave it out that it was her one thought now
to force them to a line that would dishonor them and dishonor the
tradition they embodied, though Fleda was privately sure that she had
visions of an alternative policy. The strange thing was that, proud and
fastidious all her life, she now showed so little distaste for the
world's hearing of the squabble. What had taken place in her above all
was that a long resentment had ripened. She hated the effacement to
which English usage reduced the widowed mother: she had discoursed of it
passionately to Fleda; contrasted it with the beautiful homage paid in
other countries to women in that position, women no better than herself,
whom she had seen acclaimed and enthroned, whom she had known and
envied; made in short as little as possible a secret of the injury, the
bitterness she found in it. The great wrong Owen had done her was not
his "taking up" with Mona--that was disgusting, but it was a detail, an
accidental form: it was his failure from the first to understand what it
was to have a mother at all, to appreciate the beauty and sanctity of
the character. She was just his mother as his nose was just his nose,
and he had never had the least imagination or tenderness or gallantry
about her. One's mother, gracious heaven, if one were the kind of fine
young man one ought to be, the only kind Mrs. Gereth cared for, was a
subject for poetry, for idolatry. Hadn't she often told Fleda of her
friend Madame de Jaume, the wittiest of women, but a small, black,
crooked person, each of whose three boys, when absent, wrote to her
every day of their lives? She had the house in Paris, she had the house
in Poitou, she had more than in the lifetime of her husband (to whom, in
spite of her appearance, she had afforded repeated cause for jealousy),
because she had to the end of her days the supreme word about
everything. It was easy to see that Mrs. Gereth would have given again
and again her complexion, her figure, and even perhaps the spotless
virtue she had still more successfully retained, to have been the
consecrated Madame de Jaume. She wasn't, alas, and this was what she had
at present a magnificent occasion to protest against. She was of course
fully aware of Owen's concession, his willingness to let her take away
with her the few things she liked best; but as yet she only declared
that to meet him on this ground would be to give him a triumph, to put
him impossibly in the right. "Liked best"? There wasn't a thing in the
Public-domain text, read in full here on John Shaqi.
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