Country homes -- Fiction; Domestic fiction; England -- Fiction; Inheritance and succession -- Fiction
"Horrible--horrible!" cried Mrs. Gereth, with a laugh, "and it's really
a comfort to be able to say it." She had an idea, for it was her
ambition, that she successfully made a secret of that awkward oddity,
her proneness to be rendered unhappy by the presence of the dreadful.
Her passion for the exquisite was the cause of this, but it was a
passion she considered that she never advertised nor gloried in,
contenting herself with letting it regulate her steps and show quietly
in her life, remembering at all times that there are few things more
soundless than a deep devotion. She was therefore struck with the
acuteness of the little girl who had already put a finger on her hidden
spring. What was dreadful now, what was horrible, was the intimate
ugliness of Waterbath, and it was of that phenomenon these ladies talked
while they sat in the shade and drew refreshment from the great tranquil
sky, from which no blue saucers were suspended. It was an ugliness
fundamental and systematic, the result of the abnormal nature of the
Brigstocks, from whose composition the principle of taste had been
extravagantly omitted. In the arrangement of their home some other
principle, remarkably active, but uncanny and obscure, had operated
instead, with consequences depressing to behold, consequences that took
the form of a universal futility. The house was bad in all conscience,
but it might have passed if they had only let it alone. This saving
mercy was beyond them; they had smothered it with trumpery ornament and
scrapbook art, with strange excrescences and bunchy draperies, with
gimcracks that might have been keepsakes for maid-servants and
nondescript conveniences that might have been prizes for the blind. They
had gone wildly astray over carpets and curtains; they had an infallible
instinct for disaster, and were so cruelly doom-ridden that it rendered
them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to
mention, caused her face to burn, and each of the new friends confided
to the other that in her own apartment she had given way to tears. There
was in the elder lady's a set of comic water-colors, a family joke by a
family genius, and in the younger's a souvenir from some centennial or
other Exhibition, that they shudderingly alluded to. The house was
perversely full of souvenirs of places even more ugly than itself and of
things it would have been a pious duty to forget. The worst horror was
the acres of varnish, something advertised and smelly, with which
everything was smeared; it was Fleda Vetch's conviction that the
application of it, by their own hands and hilariously shoving each
other, was the amusement of the Brigstocks on rainy days.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account