Country homes -- Fiction; Domestic fiction; England -- Fiction; Inheritance and succession -- Fiction
It was true that when after their return from Ricks they tried to
lighten the ship, the great embarrassment was still immutably there, the
odiousness of sacrificing the exquisite things one wouldn't take to the
exquisite things one would. This immediately made the things one
wouldn't take the very things one ought to, and, as Mrs. Gereth said,
condemned one, in the whole business, to an eternal vicious circle. In
such a circle, for days, she had been tormentedly moving, prowling up
and down, comparing incomparables. It was for that one had to cling to
them and their faces of supplication. Fleda herself could judge of these
faces, so conscious of their race and their danger, and she had little
enough to say when her companion asked her if the whole place,
perversely fair on October afternoons, looked like a place to give up.
It looked, to begin with, through some effect of season and light,
larger than ever, immense, and it was filled with the hush of sorrow,
which in turn was all charged with memories. Everything was in the
air--every history of every find, every circumstance of every struggle.
Mrs. Gereth had drawn back every curtain and removed every cover; she
prolonged the vistas, opened wide the whole house, gave it an appearance
of awaiting a royal visit. The shimmer of wrought substances spent
itself in the brightness; the old golds and brasses, old ivories and
bronzes, the fresh old tapestries and deep old damasks threw out a
radiance in which the poor woman saw in solution all her old loves and
patiences, all her old tricks and triumphs.
Public-domain text, read in full here on John Shaqi.
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