The sprightly romance of MarsacSeawell, Molly Elliot
General
The sprightly romance of Marsac
Seawell, Molly Elliot
American fiction -- 19th century; Journalists -- Fiction; Paris (France) -- Fiction; Young men -- Fiction
However, to have got two hundred francs from Fontaine would have been
like getting oysters out of a strawberry bed. As the days went on, he
got a great many things, like the mourning clothes and black-edged
paper; and he was pursued by tradesmen desiring him to open accounts
with them. But not a franc had he. His absence from the newspaper
office cut off his small salary there; and while dining at his
favourite restaurant every day, smoking the best cigars and enjoying
other luxuries, he often had not one sou to rattle against another.
Marsac kept up his courage, though, by telling him that something
would soon turn up which would enable them to pay their debts, escape
from Madame Fleury’s house, and live like lords. And when that happy
event was accomplished, Marsac promised that Fontaine should be rid of
Madame Fleury, and in a position to ask the hand of Claire Duval, whom
Fontaine grew every day more passionately in love with, although it had
been months since he had seen her. Whenever Fontaine’s courage failed,
Marsac always held out to him the hope of marrying Claire.
“Just let me catch old Duval,--I don’t like to go in search of
him,”--cried Marsac, “and I will give him such an account of you
that he will be throwing his daughter at your head. And as she is a
sweet girl, and I believe is really in love with you, there will be a
marriage, sure. The only thing on my conscience is, that I am putting a
noose around your neck.”
[Illustration]
“A noose! A garland, you mean! Ah, could I live to have Claire for my
wife! But that infernal widow downstairs--”
“Don’t speak of your _fiancée_ in that disrespectful manner,” cried
Marsac, at the same time dodging Fontaine’s new hat, which flew in his
direction.
One night about six weeks after Uncle Maurice’s advent, Fontaine was
in their garret, waiting for Marsac to return. The room was as shabby
as ever, but Fontaine was dressed in the height of the style, although
still in the deepest mourning. His bright face, as he walked about
whistling jovially, with his hands in his trousers pockets (which
were empty, as usual), was in striking contrast to his livery of woe.
Fontaine occasionally had spasms of fear concerning their ruse; but
at twenty-five, with a good appetite, and enough to satisfy it, with
love and hope and a friend like Marsac, one is apt to whistle jovially.
In one corner of the room was a table with a delicious supper set
out,--sent from the restaurant, which the two young men patronised
liberally. On the rickety writing-table lay a letter, bearing the stamp
of one of the leading theatres in Paris. In the intervals of walking
about, and wondering why Marsac was so late, Fontaine would read and
re-read this letter, with the most evident delight.
Public-domain text, read in full here on John Shaqi.
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