The sprightly romance of MarsacSeawell, Molly Elliot
General
The sprightly romance of Marsac
Seawell, Molly Elliot
American fiction -- 19th century; Journalists -- Fiction; Paris (France) -- Fiction; Young men -- Fiction
“I wish there was a drawbridge outside this door,” he muttered,
and then began to rummage about the room. “I wonder where Marsac’s
purse is,” he continued to himself. “Ah, here it is,--and only two
francs five centimes in it; and the shoemaker wants three francs for
half-soling Marsac’s shoes!” And then he began to call for Marsac,
meanwhile going through the empty form of searching through his own
pockets. In a moment Marsac entered the room.
[Illustration]
It was easy enough to see who was the master mind there. Marsac was
not so regularly handsome as Fontaine, but his dark bright eyes and
captivating smile seemed to radiate brilliance all round him. After
the first moment of seeing these two young men together, it was not
necessary to explain their relations to each other. Fontaine could not
look at Marsac without an almost feminine expression of fondness and
tender reliance coming into his eyes; and at the bottom of his heart he
thought Marsac the most brilliant, capable, and lovable of men. Marsac,
on his part, could not look or speak to Fontaine without showing the
affection of an elder for a younger brother.
They had been schoolmates, ten years before, at a provincial college.
From the first moment of their meeting, they loved each other. Fontaine
was of the best blood of the province; but he had neither father nor
mother nor brother nor sister nor any near relative living. His was
one of those hearts which must love something, and he could not help
loving Marsac,--a tall, lithe boy, older than he, and quite able to
fight Fontaine’s battles as well as his own. Marsac, like Fontaine,
was fatherless and motherless. He was educated from a fund for the
sons of poor gentlemen, which the recipient was expected to return when
he was able. After taking all the honours in his classes, and being
graduated with the highest distinction, Marsac went to Paris along
with Fontaine, both to seek their fortunes in journalism. They soon
got work, but they made precious little money. Marsac, inspired with
but one idea, sent every franc he made back to the fund, and repaid
the sum advanced in an astonishingly short time. But it was at the
cost of getting into debt on all sides. Neither he nor his chum had
that commercial knack, that intimate knowledge of the purchasing power
of a franc, which comes naturally to young men whose lives have been
spent in a large city. Marsac was of a buoyant temper, and constantly
expected something to turn up which would relieve them of all their
embarrassments. Meanwhile, confident of the honesty of his intentions,
he met his debts, duns, and difficulties with an incomparable archness
and good-humour.
When Fontaine asked him for a franc for the shoes, his reply was,--
“A franc! Do you think I have a complete counterfeiting apparatus, that
I can produce such a sum as a franc at a moment’s notice?”
Public-domain text, read in full here on John Shaqi.
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