The sprightly romance of MarsacSeawell, Molly Elliot
General
The sprightly romance of Marsac
Seawell, Molly Elliot
American fiction -- 19th century; Journalists -- Fiction; Paris (France) -- Fiction; Young men -- Fiction
“Transcendent liars, Madame Fleury, like poets, are born, not made.
And then there is a great deal in being notorious. Fontaine and I
have done everything short of felony, to bring ourselves before the
public; but we have failed. We have tried to drown ourselves in the
Seine,--with life-preservers on, of course; but the police found the
life-preservers on us, and instead of making us favourably known,
humph!--we were glad enough to hush up the affair. We have brought the
most horrible charges against each other in print, but nobody appeared
at all surprised at them; and the public, by its indifference, seemed
to take it for granted that the worst was true. The only newspaper
which took the trouble to investigate it sent a reporter here; and as
ill-luck would have it, the fellow caught us waltzing in each other’s
arms for joy because we had just got a dinner invitation,--and we
had not had anything that could be called a dinner for three weeks.
Our circumstances are indeed desperate. Yesterday we had some money,
and Fontaine bought two loaves of bread. I reproached him for his
extravagance in buying so much bread.”
With these words Marsac managed to cover dexterously a box of cigars on
the table, which Madame Fleury had not noticed.
“That is, indeed, poverty,” said Madame Fleury, with some feeling; and
Marsac, seeing she was a little touched, continued eagerly,--
“We have tried everything. I sent a play to a manager, and the only
notice he has taken of it has been to write me that he didn’t believe
it would draw. Of course it won’t draw, shut up in the manager’s strong
box. I never expected it to draw until it was produced. I sent it
under the name of Fontaine, as being more aristocratic than Marsac.
Fontaine, you know, has graveyards full of noble ancestors, while I,
like Napoleon, am the first of my family. Then I sent a picture, called
‘A Rough Sea,’ to the Salon, also under the name of Fontaine. One of
the judges said the thing made the whole committee ill,--it was so
realistic, I presume,--and yet they rejected it.”
Madame Fleury’s eyes softened, and with a glint of a “widow’s smile”
upon her handsome mouth, she said gently, after a moment, “Have
you--has either one of you--ever thought of--ahem!--marriage, as a way
out of your troubles?”
“Often,” answered Marsac, promptly,--“that is, for Fontaine. He was to
be the victim,--the Iphigenia, so to speak. As for myself, there are
two things I dread,--death and marriage. I must die, but I need not
marry. I have sworn I will never be taken alive.”
Madame Fleury blushed, smiled, and murmured, “More men marry than
don’t. Most of them marry without a qualm.”
“True,” answered Marsac, gravely; “and there are men who will pick up
a poisonous snake and dangle it in the air. But I am not one of them. I
have no taste for dangling poisonous snakes. I am afraid of them.”
[Illustration]
“And how stands Monsieur Fontaine on this subject?”
Public-domain text, read in full here on John Shaqi.
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