Apocalyptic fiction; Science fiction; Short stories
She looked all about her, and then leaned closer to the screen,
revealing a cleavage that I was too distraught at the moment to pay
any attention to. "We're not supposed to give this information out,
sir," she said, her voice low, "but I'm going to tell you, so you'll
understand why we had to do it. I think it's perfectly awful that it
had to ruin things for you this way. But the fact of the matter is--"
she leaned even closer to the screen--"there's a spy in the elevator."
II
It was my turn to be stunned.
I just gaped at her. "A--a what?"
"A spy. He was discovered on the hundred forty-seventh floor, and
managed to get into the elevator before the Army could catch him. He
jammed it between floors. But the Army is doing everything it can think
of to get him out."
"Well--but why should there be any problem about getting him out?"
"He plugged in the manual controls. We can't control the elevator from
outside at all. And when anyone tries to get into the shaft, he aims
the elevator at them."
That sounded impossible. "He _aims_ the elevator?"
"He runs it up and down the shaft," she explained, "trying to crush
anybody who goes after him."
"Oh," I said. "So it might take a while."
She leaned so close this time that even I, distracted as I was, could
hardly help but take note of her cleavage. She whispered, "They're
afraid they'll have to starve him out."
"Oh, no!"
She nodded solemnly. "I'm terribly sorry, sir," she said. Then she
glanced to her right, suddenly straightened up again, and said,
"We-will-resume-service-as-soon-as-possible." Click. Blank screen.
For a minute or two, all I could do was sit and absorb what I'd been
told. A spy in the elevator! A spy who had managed to work his way all
the way up to the hundred forty-seventh floor before being unmasked!
What in the world was the matter with the Army? If things were getting
that lax, the Project was doomed, force-screen or no. Who knew how many
more spies there were in the Project, still unsuspected?
Public-domain text, read in full here on John Shaqi.
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