The Spy: The Story of a Superfluous ManGorky, Maksim
History
The Spy: The Story of a Superfluous Man
Gorky, Maksim
Russia -- History -- Revolution, 1905-1907 -- Fiction; Russian fiction -- Translations into English; Spy stories
From the moment that all the villagers began to call Yevsey "Old Man,"
Uncle Piotr used "Orphan" instead. A peculiar man in every respect the
blacksmith was not terrible even when drunk. He would merely remove his
hat from his head and walk about the street waving it, singing in a high
doleful voice, smiling, and shaking his head. The tears would run down
his face even more copiously than when he was sober.
His uncle seemed to Yevsey the very wisest and best muzhik in the whole
village. He could talk with him about everything. Though he often smiled
he scarcely ever laughed; he spoke without haste, in a quiet, serious
tone. Either failing to notice his nephew, or forgetting about
him--which especially pleased Yevsey--he would talk to himself in his
shop, keeping up a constant dispute with some invisible opponent and
forever admonishing him.
"Confound you," he would mumble, but without anger. "Greedy maw! Don't I
work? There, I have scorched my eyes. I'll soon get blind. What else do
you want? A curse on this life! Hard luck! No beauty--no joy."
His interjections sounded as if he were composing psalms; and Yevsey had
the impression that his uncle was actually facing the man he was
addressing.
Once Yevsey asked:
"Whom are you talking to?"
"Whom am I talking to?" repeated the blacksmith without looking at the
boy. Then he smiled and answered. "I'm talking to my stupidity."
But it was a rare thing for Yevsey to be able to speak with his
guardian, for he was seldom alone. Yashka, round as a top, often spun
about the place, drowning the blows of the hammer and the crackling of
the coals in the furnace with his piercing shouts. In his presence
Yevsey did not dare even to look at his uncle.
The smithy stood at the edge of the shallow ravine, at the bottom of
which among the osier bushes, Yevsey passed all his leisure time in
spring, summer, and autumn. Here it was as peaceful as in the church.
The birds warbled, the bees and drones hummed, and a fine quiet song
quivered in the air. The boy sat there swaying his body and brooding
with tightly shut eyes. Or he roamed amid the bushes, listening to the
noise in the blacksmith shop. When he perceived his uncle was alone, he
crept out and went up to him.
"What, you, Orphan?" was the blacksmith's greeting, as he scrutinized
the boy with his little eyes wet with tears.
Once Yevsey asked:
"Is the evil power in the church at night?"
The smith thought a while, and answered:
"Why shouldn't it be? It gets everywhere. That's easy for it."
The boy raised his shoulders, and with his round eyes searchingly
examined the dark corners of the shop.
"Don't be afraid of the devils," the uncle advised.
Yevsey sighed, and answered quietly:
"I'm not afraid."
"They won't hurt you," the blacksmith explained with assurance, wiping
his eyes with his black fingers. Then Yevsey asked:
"And how about God?"
"What about Him?"
"Why does God let devils get into the church?"
Public-domain text, read in full here on John Shaqi.
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