The Squire: An Original Comedy in Three ActsPinero, Arthur Wing
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The Squire: An Original Comedy in Three Acts
Pinero, Arthur Wing
Comedy plays; English drama -- 19th century
{Eric.} _(C.)_ Thank you for seeing me.
{Kate.} You ought to hate me for it. _(on sofa)_
{Eric.} I should have delayed this till you were
stronger, but I was in dread that you would go
without a word.
{Kate.} I leave Market-Sinfield to-morrow. I
should not have said good-bye to you. You look tired
and worn out.
_(Eric advances to sit beside her, she checks him and
points to stool C.)_
Sit down--there. _(he sits wearily)_ Has your
mother written?
{Eric.} _(with a short bitter laugh produces a letter
from his pocket-book)_ _(C.)_ Oh, yes; here is my
conge. The gates of The Packmores are shut and
locked. Stibbs, the butler, has orders to clear out
everything that spells the name of Eric. Poor
mother!
{Kate.} Ah, that needn't be now; you must tell her
we have quarrelled, that I have jilted you, or you me
--anything for a home.
{Eric.} _(rises)_ Home, Kate! Home! That's all
over. _(comes down C.)_
{Kate.} Hush! hush!
{Eric.} I've been with Sylvester, our lawyer, this
morning; he is going to raise money on the reversion
of my aunt Tylcote's little place, which must come
to me. It is the merest trifle, but it is something.
And I've written to the agents in town about setting
aside half my pay.
{Kate.} _(looking up)_ What is the meaning of
that?
{Eric.} For you, Kate. I've no thought but for
you, dear, and the little heart which is to beat against
yours.
{Kate.} _(starts up--rises)_ Oh, Eric, unless you
wish to make me mad, you mustn't be kind to me, I
can't bear it. _(advancing C. firmly)_ Why, Eric,
do you think I'd let you pinch and struggle for me!
_(they meet C.)_
{Eric.} _(hotly)_ Why, Kate, you wouldn't live in
a fashion that doesn't become my wife!
_(He stops short--they look at each other, then turn
away.)_
{Kate.} _(sits again on sofa--under her breath)_
Oh, Eric, what made you say that?
{Eric.} It slipped from me--I didn't meant to say
it. Oh, it comes so naturally, _(goes up to L., of L.
window)_
{Kate.} It doesn't matter; it's all through wrangling
about miserable money, _(goes to R., of L. window)_
_(The lights are getting duller, the faint glow of the
setting sun is seen outside the windows.)_
Look! there's the sun going down; we mustn't stay
here longer. _(She comes closer to him, looking up
into his face. They stand with their hands behind
them.)_ There's time only for one last word.
{Eric.} I'm listening, _(coming down R.)_
{Kate.} _(tearfully)_ It's this. You may--of
course--write to me--to the Post Office at Bale, for
the present. Not to make it a tax upon you. But
when you've nothing better or more cheerful to do--
oh, write to me then!
Public-domain text, read in full here on John Shaqi.
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