Before she could draw breath, Lydia moved and was changed. Her mother
saw suddenly, with that emotion which only mothers know, reminiscences
of little-girlhood, of babyhood, even of long-dead cousins and aunts, in
the lovely face blooming under the wide hat. She felt the sweet
momentary confusion of individuality, the satisfied sense of complete
ownership which accompanies a strong belief in family ties. Lydia was
not only altogether entrancing, but she was of the same stuff with those
who loved her so dearly. It gave a deeper note to her mother's passion
of affectionate pride.
The girl turned with a pretty, defiant tilt of her head. "Well, and how
_do_ I look?" she asked; and before she could be answered she flew at
Mrs. Mortimer with a gentle roughness, clasping her arms around her
waist until the matron gasped. "_You_ look too good to be true--both of
you--if you are such lazybones that you wouldn't go to the station to
meet the prodigal daughter!"
"Well, if you will come on an earlier train than you telegraphed--"
began Mrs. Mortimer, "Everybody's getting ready to meet you with a brass
band. What did you do with Father?"
The girl moved away, putting her hands up to her hat uncertainly as
though about to take out the hat-pins. There was between the three a
moment of that constraint which accompanies the transition from
emotional intensity down to an everyday level. In Lydia's voice there
was even a little flatness as she answered, "Oh, he put me in the hack
and went off to see about business. I heard him 'phoning something to
somebody about a suit. We got through the customs sooner than we thought
we could, you see, and caught an earlier train."
Mrs. Emery turned her adoring gaze from Lydia's slim beauty and looked
inquiringly at her elder daughter. Mrs. Mortimer understood, and nodded.
"What are you two making faces about?" Lydia turned in time to catch the
interchange of glances.
Mrs. Emery hesitated. Marietta spoke with a crisp straightforwardness
which served as well in this case as nonchalance for keeping her remark
without undue significance. "We were just wondering if now wasn't a good
time to show you what Paul Hollister did for your welcome home. He
couldn't be here himself, so he sent those." She nodded toward the
bouquet.
As Lydia turned toward the flowers her two elders fixed her with the
unscrupulously scrutinizing gaze of blood-relations; but their
microscopic survey showed them nothing in the girl's face, already
flushed and excited by her home-coming, beyond a sudden amused surprise
at the grotesque size of the tribute.
Public-domain text, read in full here on John Shaqi.
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