It took a great deal of thought and a good deal of labor to build this house; which was also true of Mr. Petter's character. But the first-named work was the more difficult of the two, for in building up himself he consulted with no one, while in planning his inn he met with all sorts of opposition from the village workmen and builders. But at the cost of all the time that was needed and all the money he could spare, he had his house built as he wanted it; and when it was finished it seemed to exhibit a trace of nearly everything a house should possess excepting chronology and paint. Mr. Petter had selected with a great deal of care the various woods of which his house was built, and he decidedly objected to conceal their hues and texture by monotonous paint. The descriptions that he had read of houses seldom mentioned paint. The interior was not in the least monotonous. The floors of the rooms, even in the same story, were seldom upon the same level; sometimes one entered a room from a hallway by an ascent of two or three steps, while access to others was obtained by going down some steps. The inside was subordinated in a great degree to the outside: if there happened to be a pretty window like something Mr. Petter had seen in an engraving, a room of suitable shape and size was constructed behind the window. Stairways were placed where they were needed, but they were not allowed to interfere with the shapes of rooms or hallways; if there happened to be no other good place for them they were put on the outside of the house. Some of these stairways were wide, some narrow, and some winding; and as those on the outside were generally covered they increased the opportunities for queer windows and perplexing projections. The upper room of the tower was reached by a staircase from the outside, which opened into a little garden fenced off from the rest of the grounds, so that a person might occupy this room without having any communication with the other people in the house.