The Stamps of CanadaPoole, Bertram W. H. (Bertram William Henry)
History
The Stamps of Canada
Poole, Bertram W. H. (Bertram William Henry)
Postage stamps -- Canada
All three values of this first set were issued imperforate and while the
3d, of which at least three millions were issued, varies but little in
shade, the 6d, printed in comparatively small quantities, provides a
number of striking tints. In his check-list, Mr. Howes gives
"black-violet, deep-violet, slate-violet, brown-violet, dull purple,
slate, black brown, brownish black, and greenish black", and we have no
doubt the list could be considerably amplified, though the above should
be sufficient for the most exacting of specialists.
The catalogue gives two distinct sorts of paper--laid and wove--for all
three values, with a sub-variety of the latter, designated "thin", for
the 3d and 6d denominations. But specialists are not satisfied with this
meagre classification and recognise numerous other varieties such as
thick white laid, soft white wove, thin and thick grayish, thick hard,
thick soft, ribbed, etc. Mr. D. A. King, in his article in the _Monthly
Journal_, says, "There are fourteen varieties that we are able to
distinguish", and he gives a general classification of their
characteristics as follows:--
Series I, II, IV and V.--The texture of these papers is virtually
the same, and it is indeed often difficult, particularly in the
case of the 6d, to distinguish between the _laid_ and _wove_
papers. The lines in the _laid_ paper are of a most peculiar
character, and cannot, as a rule, be brought fairly out by holding
the stamp between one's eyes and the light. The best way to test
these two papers is to lay the stamps, face down, on a black
surface, and let the light strike them at about an angle of fifteen
degrees, when the _laid_ lines are brought most plainly into view.
It is necessary, however, to place the specimens so that the light
will strike them parallel to their length, as the _laid_ lines run
horizontally in the 3d, and vertically in the 6d and 12d.
Series III.--This is an entirely different paper to those mentioned
above. The _laid_ lines are most distinct, while the paper is of a
different texture and color from the regular gray shade.
Series VI.--The paper of this series is almost as thick as that
employed for series XII. There is a vast difference, however, in
its appearance, as the paper of series VI. is much harder than that
of series XII. It feels greasy when rubbed between the thumb and
finger, and the color of the paper is distinctly different from
that shown by series XII.
Series VII, VIII and IX.--We are able to divide the thin-ribbed
papers into three varieties, which the description plainly
indicates. They are very distinct, and can be distinguished by a
moment's inspection without hesitation.
Series X.--This is a very peculiar sort of paper, which is quite
fragile, and will not bear much handling. It is quite as soft as
that of series VII.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account