The Standard Cantatas: Their Stories, Their Music, and Their Composers: A HandbookUpton, George P. (George Putnam)
History
The Standard Cantatas: Their Stories, Their Music, and Their Composers: A Handbook
Upton, George P. (George Putnam)
Cantatas -- History and criticism
In September, 1814, the same year in which the Allies entered Paris, the
Vienna Congress met to adjust the relations of the various European
States. It was an occasion of great moment in the ancient city,--this
gathering of sovereigns and distinguished statesmen,--and the magistracy
prepared themselves to celebrate it with befitting pomp and ceremony.
Beethoven was requested to set a poem, written by Dr. Aloys Weissenbach,
of Salzburg, in cantata form, which was to be sung as a greeting to the
royal visitors. It was "Der glorreiche Augenblick," sometimes written
"Der heilige Augenblick" ("The Glorious Moment"). The time for its
composition was very brief, and was made still shorter by the quarrels
the composer had with the poet in trying to reduce the barbarous text to
a more inspiring and musical form. He began the composition in September,
and it was first performed on the 29th of the following November,
together with the "Battle of Vittoria," and the A major (Seventh)
symphony, written in the previous year. The concert took place in the
presence of the sovereigns and an immense audience which received his
works with every demonstration of enthusiasm, particularly "The Glorious
Moment,"--a moment which all hailed as the precursor of a happier epoch
for Europe, soon to be freed from Napoleonic oppression. The occasion was
one of great benefit to the composer at a time when he was sorely in need
of assistance. The distinguished foreign visitors thronged the salon of
the Archduke Rudolph to pay him homage. Handsome gifts were lavished upon
him so that he was enabled to make a permanent investment of 20,000 marks
in shares of the bank of Austria. Brilliant entertainments were given by
the Russian ambassador, Prince Rasoumowsky,[12] in his palace, at one of
which Beethoven was presented to the sovereigns. The Empress of Russia
also gave him a reception and made him magnificent presents. Schindler
says:
"Not without feeling did the great master afterwards recall those days
in the Imperial Palace and that of the Russian Prince; and once with a
certain pride remarked that he had allowed the crowned heads to pay
court to him, and that he had carried himself thereby proudly."
The stern old republican, however, who could rebuke Goethe for taking off
his hat in the presence of royalty, spoke such sentiments jocosely. He
expresses his real feelings in a letter written to the attorney, Herr J.
Kauka, of Prague:--
"I write nothing about our monarchs and monarchies, for the newspapers
give you every information on these subjects. The intellectual realm is
the most precious in my eyes, and far above all temporal and spiritual
monarchies."
Public-domain text, read in full here on John Shaqi.
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