The Standard Oratorios: Their Stories, Their Music, And Their Composers — John Shaqi
The Standard Oratorios: Their Stories, Their Music, And Their ComposersUpton, George P. (George Putnam)
Religion
The Standard Oratorios: Their Stories, Their Music, And Their Composers
Upton, George P. (George Putnam)
Oratorio
Johannes Brahms, one of the most eminent of living German composers, was
born at Hamburg, May 7, 1833. His father was a double-bass player in the
orchestra in that city, and devoted his son at a very early age to his
own profession. His first piano teacher was Cossell; but to Eduard
Marxsen, the Royal Music Director, he owes his real success as a
composer. Brahms remained in Hamburg until 1853, when he went upon a
concert-tour with Remenyi, the eccentric and somewhat sensational
Hungarian, who has been a familiar figure upon the American
concert-stage. He remained with him, however, but a very short time, for
in October of that year they parted company. Brahms had attracted the
notice of Liszt and Joachim; and it may have been through their advice
that the musical partnership was dissolved. In any event, soon after
leaving Remenyi he went to Duesseldorf and visited Schumann. It was the
latter who announced him to the world in such strong words as these:--
"In following with the greatest interest the paths of these elect
[Joachim, Naumann, Norman, Bargiel, Kirchner, Schaeffer, Dietrich, and
Wilsing], I thought that after such forerunners there would, and must
at last, all on a sudden appear one whose mission it would be to utter
the highest expression of his time in an ideal manner,--one who would
attain mastery, not by degrees, but, like Minerva, would at once spring
completely armed from the head of Cronion.... May the highest genius
give him strength for that of which there is hope, as in him dwells
also another genius, that of modesty! We bid him welcome as a strong
champion."
The next year (1854) appeared his first works,--three sonatas, a trio,
scherzo for piano, and three books of songs. After a visit to Liszt at
Weimar, he settled down as chorus-conductor and music-teacher at the
court of Lippe-Detmold, where he remained a few years. During this period
he devoted himself assiduously to composition. After leaving Detmold, he
successively resided in Hamburg, Zuerich, and Baden-Baden, though most of
his time has been spent in Vienna, where he has directed the Singakademie
and the concerts of the Gesellschaft der Musikfreunde. Schumann's
prophecy has been made good; Brahms is to-day one of the most eminent of
living musicians. Among his most famous compositions are a Funeral Hymn
for chorus and wind-band; the "German Requiem;" "Triumphlied," for
double-chorus and orchestra; "Schicksallied," for chorus and orchestra;
five symphonies; variations on a theme of Haydn, for orchestra; the
Tragic and Academic overtures; and several trios, quartets, quintets,
sextets, concertos, and sonatas.
The German Requiem.
Public-domain text, read in full here on John Shaqi.
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