"Yes, we're getting old, Jack, very fast indeed," said the major, as his
brother laid a hand affectionately upon his shoulder just as he used in
old school-boy days; "time gallops away now."
"Ay, it does; and that's why I can't help feeling a bit anxious about
seeing Glynne happily settled in life."
"And it ought to make you the more particular about--"
"Hush!" cried the baronet, interrupting him sharply, "the girls! Oh,
hang it! how can Glynne be so absurd."
Volume 1, Chapter IV.
SERPENS.
Sir John and his brother had just reached an opening in Brackley Wood, a
fine old pheasant preserve, when the former became aware of the fact
that his child and the lady whom she had of late made her companion and
friend, were seated in the shade cast by a venerable oak, Glynne
painting in front of her easel, upon which were the skilful beginnings
of an oil picture representing a rough looking gipsy seated upon a tree
stump, in the act of carving the knob of a stick with his long Spanish
knife, while Lucy Alleyne, the friend, was reading from a book resting
upon her knees.
The group formed a pretty enough natural picture, upon which a silvery
rain of sunshine was poured through the dense foliage of the overhanging
boughs, for, without being classically beautiful, Glynne Day was as fair
a specimen of a young English lady as a country visitor would be likely
to see in one twenty-four hours. Her's was the kind of face with its
sweet, calm, placid repose that asked for a second look and then for a
third: and when this was complete, he who gazed, old or young, wanted to
look again, and so on, in never tiring mood. It was not that her soft,
abundant brown hair was so remarkable, nor that her face was so perfect
an oval, nor her nose so true an aquiline, nor her eyes so dark a grey;
but it was the completeness of the whole countenance, the elasticity of
the step that bore onward so tall and graceful a figure, while the sweet
repose of the face would have warranted anyone in taking the major's
side when he declared that no pulse in her frame had ever yet been
quickened by the thought of love.
Glynne's companion, Lucy Alleyne, also possessed her share of
attractions; but they were cast in a very different mould, for she was
dark, large-eyed, little and piquante, with an arch expression about her
bow-like mouth that told of suppressed merriment, and a readiness to
join in anything that promised laughter, or, as she would have called
it, a bit of fun.
The other figure in the group--the model, whose counterfeit presentment
was being transferred to canvas, first heard the steps; and he looked up
sharply, in a wild, danger-fearing way, as a weasel might, and seemed
about to spring to his feet and start off; but a peculiar leer crossed
his face, and he half closed his eyes and sat firm as the brothers came
up, both glancing at him sourly, the major taking a tighter grip of his
stick.
"Ah, my dears!" said Sir John, gruffly, "'most done, Glynne?"
Public-domain text, read in full here on John Shaqi.
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