The gardener shook his head, and said that "the plahnts wiltered" for
want of light, and wanted to cut away the greater part of the
tendril-like stems of the huge wistaria, which twisted itself into
cables, and formed loops and sprays all over the top glass; but Glynne
looked at him in horror, and forbade him to cut a stem. Consequently,
in the spring-time, great lavender racemes of the lovely flowers
clustered about the broad window at which the mistress of the Hall loved
to sit and sketch "bits" of the beautiful landscape around, and make
study after study of the precipitous pine-crowned hill a mile away,
behind whose dark trees the sun would set, and give her opportunities to
paint in gorgeous hues the tints of the western sky.
Here Lucy Alleyne would be brought after their walks, to sit and read,
while Glynne filled in sketches she had made; and many a pleasant hour
was passed by the two girls, while the soft breezes of the sunny country
waved the long wistaria strands.
"It's no use for me to speak, Mr Morris," said the gardener one day.
"It 'most breaks my heart, for all about there, and under the little
glass house is the untidiest bit about my garden. I told Sir John about
it, and he said, `Why don't you cut it then, booby?' and when I told him
why, and ast him to speak to Miss Glynne, he said, `Be off, and leave it
alone.'"
"And of course you did," said Morris, the butler.
"Sack's the word if I hadn't, sir. But you mark my words: one of these
days--I mean nights--them London burglars 'll give us a visit, and they
won't want no ladder to get up to the first-floor windows. A baby could
climb up them great glycene ropes and get in at that window; and then
away goes my young lady's jewels."
"Well, they won't get my plate," said Morris with a chuckle. "I've two
loaded pistols in my pantry for anyone who comes, so let 'em look out;
and if I shout for help, the major's got his loaded too."
Glynne Day was seated one afternoon in her conservatory, bending over
her last water-colour sketch by the open window, when a loud,
reverberating bang echoed along the corridor, making the windows rattle
outside her room. Starting up, knowing from old experience that it was
only an earthquake, one of the social kind which affected Brackley from
time to time, she hurried into her little study, and out into the
passage, to go to the end, and tap sharply at the door facing her.
"Come in," was shouted in the same tones as he who uttered the order had
cried "wheel into line!" and Glynne entered to find the major with his
hair looking knotted, his moustache bristling, and his eyes rolling in
their sockets.
"What is the matter, uncle?"
"Matter?" cried the major, who was purple with rage. "Matter? He's
your father, Glynne, and he's my brother, but if--if I could only feel
that it wasn't wicked to cut him down with the sword I used at
Chillianwallah, I'd be thankful."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account