National songs -- United States; Star-spangled banner (Song)
At seven the suspense was unrelaxed. The firing from the fleet ceased.
The large ships loomed indistinct and silent in the mist. To the west
lay the silent fort, the white vapor heavy upon it. With eager eyes
Key watched the distant shore, till in a rift over the fort he dimly
discerned the flag still proudly defiant. In that supreme moment was
written "The Star-Spangled Banner."
The British ships slowly dropped down to North Point. Dr. Beanes went
home to Upper Marlborough, very thankful as he saw the yard-arm of the
Surprise melt out of sight, unburdened.
Of all national airs, it breathes the purest patriotism. Those of
England, Russia, and Austria are based upon a sentimental loyalty long
outgrown by this agrarian and practical age. The "Marseillaise" is a
stirring call to arms, and upholds only the worst--the passionate
military--side of a nation's character. "The Star-Spangled Banner,"
while it is animated, patriotic, defiant, neither cringes nor boasts;
it is as national in its spirit as it is adequate in the expression of
that spirit. Believing, then, that Key's poem will be the national air
of succeeding generations of Americans, the facsimile of the original
draft is here reproduced by the kindness of Mrs. Edward Shippen, a
granddaughter of that Judge Nicholson who took the first copy of the
poem to the "American" office, and had it set up in broad-sheet form by
Samuel Sands, a printer's apprentice of twelve. He was alone in the
office, all the men having gone to the defense of the city. It is
written in Key's hand. The changes made in drafting the copy will be
seen at once, the principal one being that Key started to write "They
have washed out in blood their foul footsteps' pollution," and changed
it for "Their blood has washed out their foul footsteps' pollution."
In the second stanza, also, the dash after "'T is the star-spangled
banner" makes the change more abrupt, the line more spirited, and the
burst of feeling more intense, than the usual semicolon. The other
variations are unimportant. Some of them were made in 1840, when Key
wrote out several copies for his friends.
The song, in its broad-sheet form, was soon sung in all the camps
around the city. When the Baltimore theater, closed during the attack,
was reopened, Mr. Hardinge, one of the actors, was announced to sing "a
new song by a gentleman of Maryland." The same modest title of
authorship prefaces the song in the "American." From Baltimore the air
was carried south, and was played by one of the regimental bands at the
battle of New Orleans.
Public-domain text, read in full here on John Shaqi.
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