Art students -- Fiction; Aunts -- Fiction; Love stories; New York (N.Y.) -- Juvenile fiction; Orphans -- Fiction; Young women -- Fiction
“No. I didn’t write to her before and I can’t start now. You will go to
her after I’m gone as your father’s daughter. Your claim on her is
through him, not me. You can write to her yourself as soon—as soon as
you know. Her address is in that little red book on the desk—at least
that was her address five years ago, when your poor father died. She
didn’t come to the funeral, though she did write to me, and she may have
moved since. She probably has. I think on the whole you’d better write
now so that the letter will have time to follow her.”
Ruth did write and her aunt had not moved, for by a curious coincidence
Aunt Gloria’s answer came on the very day that her mother died. At the
time, concerned with her grief, Ruth didn’t read the letter very
carefully, but afterward—after the funeral, and after all the
innumerable details had been settled, she went back to it and read it
again. She didn’t know exactly what to think of it. It filled her with
doubts. Almost she persuaded herself to disregard her mother’s wish and
not go to Aunt Gloria at all, but she had already told all her mother’s
kind friends that that was what she would do. It gave her a logical
excuse for refusing all of the offers of the well-meaning women who
asked her to come and stop with them “for a few weeks at least until you
are more yourself.”
Ruth realized that she had never felt so much herself as she did
now—rather hopelessly alone and independent in a way that frightened
her. These kind women were all her mother’s friends, not hers. She had
none. She had always prided herself on being different from other girls
and not interested in the things they cared for—boys and parties and
dress. Even at the art school she had found the other students
disappointingly frivolous. They had not taken their art seriously as she
did. The letter was curious:
“My dear child,” she had written, “by all means come to me in New York
if your mother dies. But why anticipate? She’ll probably live for years.
I hope so. To say I hope so sounds almost like a lack of hospitality and
to send you an urgent invitation to come, under the circumstances,
sounds—This is getting too complicated. Come whenever you need me, I’m
always at home now.”
And the letter was signed with her full name, Gloria Mayfield. She had
not even called Ruth niece, or signed herself “your loving aunt,” or
anything that might be reasonably expected.
Public-domain text, read in full here on John Shaqi.
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