The Stately Homes of EnglandJewitt, Llewellynn Frederick William
History
The Stately Homes of England
Jewitt, Llewellynn Frederick William
Historic buildings -- England
The BANQUETING-HALL, or GREAT HALL, as it is sometimes called,
measures, within the screen, about 35 feet in length, and about 25
in width, and it is of the full height of the building, with an open
timber roof. It is entered, as has just been stated, by two open
doorways in the screen which separates it from the passage. The screen
also forms the front of the MINSTRELS’ GALLERY over the passage. The
screen is beautifully panelled, each panel being headed with cinquefoil
cusps, above which is other Gothic tracery of elegant design. At the
opposite end from this screen is the raised daïs for the lord and his
family and honoured guests, where still stands the grand old table on
which so many of the good things of this life have been spread in ages
long since passed away.
[Illustration: _Old Oak Table in the Banqueting Hall._]
This table is one of the finest examples of its kind yet remaining
anywhere in existence—it is now worm-eaten and decayed, like those who
once feasted around it; but still it stands, a proud monument of those
ancient times so long gone by. Over the daïs a modern window has been
inserted, and formerly a doorway, to the left of the lord as he sat in
the centre of the large table, opened into what is now the dining-room,
but in those days was the withdrawing-room.
[Illustration: _The Hand-lock in the Banqueting-Hall._]
To the right hand, on entering, is the gigantic fire-place with its
huge open chimney; and on the opposite side, at the end next the high
table, a flight of steps leads up to the state apartments; and close
by, through a corner partitioned off by the oak wainscoting, another
door leads to the private dining-room and to the grounds. On the walls
of the Banqueting-Hall are some magnificent stags’ heads and antlers,
which bear evidence not only of extremely fine growth, but of great
age, since they fell to the lord of the chase. There are also several
pieces of old furniture: and on the walls are oil-paintings of Martin
Middleton of Hazelbadge, and of an old and favourite huntsman and
gamekeeper—honoured and respected retainers of the family.
[Illustration: _Staircase to Minstrels’ Gallery._]
The galleried passage, of a later date, to the Minstrels’ Gallery,
occupies one side, and the “Minstrels’ Gallery” itself one end, of the
Banqueting-Hall—that portion of the gallery along the side forming a
passage from the drawing-room and state apartments on one side to the
range of rooms on the other. The portion of the gallery over the end
of the hall is considerably wider than the other, and would hold a
goodly company of minstrels, or of guests, to look down on the “lord of
misrule” and other revels below. In one of our engravings we show the
panelled front of the Minstrels’ Gallery, and on the preceding page we
give a vignette of the entrance to the gallery from the drawing room.
Public-domain text, read in full here on John Shaqi.
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