The Stately Homes of EnglandJewitt, Llewellynn Frederick William
History
The Stately Homes of England
Jewitt, Llewellynn Frederick William
Historic buildings -- England
Passing out from the Banqueting-Hall, the visitor should next enter
the DINING-ROOM, which is one of the most charming, and certainly one
of the most interesting, apartments in the whole building. The end
opposite to the entrance doorway is entirely taken up by a Gothic
window of eight lights, filled with glass disposed in an elaborate
geometric pattern. In some of the lights are shields of arms in stained
glass, one of which displays the arms of Vernon with its quarterings
of Avenell, Pype, &c., &c.; another, Vernon only; and another, Vernon
impaled. This room is wainscoted, the upper row of panels throughout
being filled in with exquisitely-carved Gothic tracery and with
heraldic bearings, &c.
Over the centre of the fire-place are the royal arms of England
(quarterly France and England) with the supporters, a greyhound and a
griffin, and on the one side a shield bearing the three feathers of the
Prince of Wales, with the initials E. P., and on the other the arms
of Vernon with its quarterings, and supported by a lion and a boar.
Below these is the motto, “DREDE GOD AND HONOR THE KYNG,” carved in
Gothic capitals. Near this also is the carved inscription, “Anno Dni
1545. Monseigneir de Vernon,” and, with arms, the initials “G. V.,”
and “M. V.” The remainder of this fine old heraldic frieze contains
a large number of shields bearing the arms of the Vernons and of
the various families allied with them, interspersed with the Vernon
crest, &c. At the end of the room next the fire-place is a small,
but exquisitely beautiful, recessed or oriel window, with seats on
all sides, and forming one of the most delicious little retirements
imaginable—overlooking, as it does, the lawns and terraces, and the
romantic grounds and winding river, of Haddon. This recess is panelled
in the same elaborate heraldic and Gothic manner as the room itself,
and, besides the coats of arms and crests, bears on one of its panels
a grotesque head of a court fool, or jester, traditionally said to
have been intended as a portrait of Will Somers, jester to the “merry
monarch” and to his predecessor; and on two others the heads of Henry
VII. and his Queen, Elizabeth of York.
The ceiling of the dining-room is divided into compartments by
transverse beams, and has been elaborately painted and decorated. In
the large window will be noticed a fine old wine-cooler of bronze, and
the fire-place and fire-dogs are also very curious and interesting.
[Illustration: _Oriel Window in the Dining-room._]
Public-domain text, read in full here on John Shaqi.
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