The Stately Homes of EnglandJewitt, Llewellynn Frederick William
History
The Stately Homes of England
Jewitt, Llewellynn Frederick William
Historic buildings -- England
superbly ornamented and richly gilt—the pillars of the Composite
order, being of white marble, and the lining of scagliola—the whole is
in fine harmony with the grace and chasteness of the design. There are
two galleries, one of which contains an organ. The vestibule is a small
chamber, decorated with valuable vases of verd-antique. The Library
contains a series of portraits of eminent literary men—Bolingbroke,
Sidney, Shakespere, Swift, and others; none of them, however, advance
strong claims to originality. On the walls of the Great Staircase are
hung several large pictures, which may bear examination before the
gallery is entered.
The grand staircase conducts, first to the Portrait Gallery, and
next to the Picture Gallery. The walls of the former are hung with
portraits, among which are many of exceeding interest, including those
of heroes, statesmen, kings and queens, church reformers, and poets,
mingled without regard to date or order. At the end of this gallery
are, branching to the right and left, the private apartments of the
family; and in a room opening out of the west end of the Picture
Gallery, Queen Elizabeth is reported to have slept when she honoured
the Lord Cobham with a visit during her progress through Kent. In the
centre of the ancient ceiling are still preserved her arms, with the
date, 1599. The Picture Gallery is the great “show-room” of the house.
It is a noble apartment, the walls of which are covered with works
of Art, of rare value and unsurpassed excellence, the productions of
nearly all the great masters of Italy—including admirable examples
of Guido, Titian, Salvator Rosa, Rubens, Raphael, Spagnoletto, P.
Veronese, Giorgione, N. Poussin, and Guercino.
Every part of the venerable edifice contains, indeed, some object of
interest. The rooms, and halls, and galleries are thronged with rare
and beautiful works of Art; a series of perfect vases from Herculaneum
lie on the tables of the Picture Gallery; several antique busts and
statues line the hall; a magnificent bath, of red Egyptian granite,
is placed in the entrance passage; and the furniture and interior
decorations are all of corresponding excellence and beauty.
Public-domain text, read in full here on John Shaqi.
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