The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
from our considering the light as coming from the white surf, in which
case the shadows in the hollow foot-prints were such as could only
be produced by foot-prints raised from the sand, as if they were in
relief. It is possible that, when the phenomenon was observed by Lady
Georgiana Wolff, there may have been some source of direct or reflected
light opposite to the sun, or some unusual brightness of the clouds, if
there were any in that quarter, which gave rise to the illusion.
[72] _Journal_, 1839, p, 189.
When these illusions, whether monocular or binocular, are produced by
an inversion of the shadow, either real or supposed, they are instantly
dissipated by holding a pin in the field of view, so as to indicate by
its shadow the real place of the illuminating body. The figure will
appear raised or depressed, according to the knowledge which we obtain
of the source of light, by introducing or withdrawing the pin. When the
inversion is produced by the eye-piece of a telescope, or a compound
microscope, in which the field of view is necessarily small, we cannot
see the illuminating body and the convex or concave object (the
cameo or intaglio) at the same time; but if we use a small inverting
telescope, 1½ or 2 inches long, such as that shewn at MN, Fig. 36, we
obtain a large field of view, and may see at the same time the object
and a candle placed beside it. In this case the illusion will take
place according as the candle is seen beside the object or withdrawn.
If the object is a white tea-cup, or bowl, however large, and if it is
illuminated from behind the observer, the reflected image of the window
will be in the concave bottom of the tea-cup, and it will not rise into
a convexity if the illumination from surrounding objects is uniform;
but if the observer moves a little to one side, so that the reflected
image of the window passes from the centre of the cup, then the cup
will rise into a convexity, when seen through the inverting telescope,
in consequence of the position of the luminous image, which could
occupy its place only upon a convex surface. If the concave body were
cut out of a piece of chalk, or pure unpolished marble, it would appear
neither convex nor concave, but flat.
Public-domain text, read in full here on John Shaqi.
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