The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
Very singular illusions take place, both with one and two eyes, when
the object, whether concave or convex, is a hollow or an elevation
in or upon a limited or extended surface—that is, whether the
surface occupies the whole visible field, or only a part of it. If
we view, through the inverting telescope or eye-piece, a dimple or a
hemispherical cavity in a broad piece of wood laid horizontally on the
table, and illuminated by _quaquaversus light_, like that of the sky,
it will instantly rise into an elevation, the end of the telescope or
eye-piece resting on the surface of the wood. The change of form is,
therefore, not produced by the inversion of the shadow, but by another
cause. The surface in which the cavity is made is obviously inverted
as well as the cavity, that is, it now looks downward in place of
upward; but it does not appear so to the observer leaning upon the
table, and resting the end of his eye-piece upon the wooden surface in
which the cavity is made. The surface seems to him to remain where it
was, and still to look upwards, in place of looking downwards. If the
observer strikes the wooden surface with the end of the eye-piece, this
conviction is strengthened, and he believes that it is the lower edge
of the field of view, or object-glass, that strikes the apparent wooden
surface or rests upon it, whereas the wooden surface has been inverted,
and optically separated from the lower edge of the object-glass.
In order to make this plainer, place a pen upon a sheet of paper with
the quill end nearest you, and view it through the inverting telescope:
The quill end will appear farthest from you, and the paper will not
appear inverted. In like manner, the letters on a printed page are
inverted, the top of each letter being nearest the observer, while the
paper seems to retain its usual place. Now in both these cases the
paper is inverted as well as the quill and the letters, and in reality
the image of the quill and of the pen, and of the lower end of the
letters, is nearest the observer. Let us next place a tea-cup on its
side upon the table, with its concavity towards the observer, and view
it through the inverting telescope. It will rise into a convexity, the
nearer margin of the cup appearing farther off than the bottom. If we
place a short pen within the cup, measuring as it were its depth, and
having its quill end nearest the observer, the pen will be inverted,
in correspondence with the conversion of the cup into a convexity, the
quill end appearing more remote, like the margin of the cup which it
touches, and the feather end next the eye like the summit of the convex
cup on which it rests.
Public-domain text, read in full here on John Shaqi.
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