The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
In my _Letters on Natural Magic_, I have described several cases of
the conversion of form in which inverted vision is not employed.
Hollows in mother-of-pearl and other semi-transparent bodies often
rise into relief, in consequence of a quantity of light, occasioned by
refraction, appearing on the side next the light, where there should
have been a shadow in the case of a depression. Similar illusions take
place in certain pieces of polished wood, calcedony, mother-of-pearl,
and other shells, where the surface is perfectly plane. This arises
from there being at that place a knot, or growth, or nodule, differing
in transparency from the surrounding mass. The thin edge of the knot,
&c., opposite the candle, is illuminated by refracted light, so that
it takes the appearance of a concavity. From the same cause arises
the appearance of dimples in certain plates of calcedony, which have
received the name of _hammered calcedony_, or _agate_, from their
having the look of being dimpled with a hammer. The surface on which
these cavities are seen contains sections of small spherical formations
of siliceous matter, which exhibit the same illusion as the cavities
in wood. Mother-of-pearl presents similar phenomena, and so common are
they in this substance that it is difficult to find a mother-of-pearl
button or counter which seems to have its surface flat, although it
is perfectly so when examined by the touch. Owing to the different
refractions of the incident light by the different growths of the
shell, cut in different directions by the artificial surface, like the
annual growth of wood in a dressed plank, the surface of the mineral
has necessarily an inequal and undulating appearance.
In viewing good photographic or well-painted miniature portraits in an
erect and inverted position, and with or without a lens, considerable
changes take place in the apparent relief. Under ordinary vision there
is a certain amount of relief depending upon the excellence of the
picture. If we invert the picture, by turning it upside down, the
relief is perceptibly increased. If we view it when erect, with a
lens of about an inch in focal length, the relief is still greater;
but if we view it when inverted with the same lens the relief is very
considerably diminished.
[Illustration: FIG. 51.]
Public-domain text, read in full here on John Shaqi.
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