The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
Between the pictures and the purely optical part of the stereoscope,
there are other relations of very considerable importance. The
exclusion of all external objects or sources of light, excepting that
which illuminates the pictures, is a point of essential importance,
though its advantages have never been appreciated. The spectacle
stereoscope held in the hand, the reflecting stereoscope, and the
open lenticular stereoscope, are all, in this respect, defective.
The binocular pictures must be placed in a dark box, in order to
produce their full effect; and it would be a great improvement on
the lenticular stereoscope, if, on the left and right side of each
eye-tube, a piece of brass were to be placed, so as to prevent any
light from entering the left angle of the left eye, and the right angle
of the right eye.[57] The eyes, thus protected from the action of all
external light, and seeing nothing but the picture, will see it with a
distinctness and brilliancy which could not otherwise be obtained.
[57] When any external light falls upon the eye, its picture is
reflected back from the metallic surface of the Daguerreotype, and a
negative picture of the part of the Daguerreotype opposite each eye is
mixed with the positive picture of the same part.
The proper illumination of the picture, when seen by reflected light,
is also a point of essential importance. The method universally adopted
in the lenticular stereoscope is not good, and is not the one which I
found to be the best, and which I employed in the first-constructed
instruments. The light which falls upon the picture is prevented from
reaching the observer only by its being incident at an angle greater
or less than the angle of reflexion which would carry it to his eyes.
A portion of the scattered light, however, does reach the eye, and in
Daguerreotypes especially, when any part of the surface is injured,
the injury, or any other imperfection in the plate, is more distinctly
seen. The illumination should be lateral, either by a different form of
window in the front, or by openings on the two sides, or by both these
methods.
When the lenticular stereoscope is thus fitted up, and the pictures
in this manner illuminated, the difference of effect is equally great
as it is between a picture as commonly seen, and the same picture
exhibited as a panorama or a diorama, in which no light reaches the
eyes but that which radiates from the painting itself, the reflexion
from the varnish being removed by oblique or lateral illumination.
Public-domain text, read in full here on John Shaqi.
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