The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
The great value of transparent binocular slides, when the picture
is to be upon glass, is obvious from the preceding considerations.
The illumination is uniform and excellent, but care must be taken to
have the ground-glass in front of the picture, or the paper, when it
is used, of a very fine grain, so that it may throw no black specks
upon the sky or the lights of the picture. Another advantage of the
transparent slides is, that the pictures are better protected from
injury than those upon paper.
It is obvious from these considerations that the size of the pictures
is determined, as well as the distance at which they are to be viewed.
Much ignorance prevails upon this subject, both among practical
photographers and optical writers. Large binocular pictures have been
spoken of as desirable productions, and it has been asserted, and
claimed too, as a valuable property of the reflecting stereoscope, that
it allows us to use larger pictures than other instruments. There never
was a greater mistake. If we take a large picture for the stereoscope
we must place it at a great distance from the eye, and consequently use
a large stereoscope. A small picture, seen distinctly near the eye, is
the very same thing as a large picture seen at a greater distance. The
size of a picture, speaking optically and correctly, is measured by the
angle which it subtends at the eye, that is its apparent magnitude. A
portrait three inches high, for example, and placed in the lenticular
stereoscope five inches from the eye, has the same apparent size as a
Kit Cat portrait in oil the size of life, three feet high, seen at the
distance of five feet, the distance at which it is commonly examined;
and if we increase the magnifying power so as to see the three-inch
picture at the distance of two inches, it will have the same apparent
size as the three feet oil portrait seen at the distance of two feet.
If the pictures used in the stereoscope were imperfect pictures that
would not bear being magnified, it would be improper to use them; but
the Daguerreotypes, and the transparent pictures, which are taken
by the first artists, for the lenticular stereoscope, will bear a
magnifying power ten times greater than that which is applied to them.
Public-domain text, read in full here on John Shaqi.
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