The Stokesley SecretYonge, Charlotte M. (Charlotte Mary)
General
The Stokesley Secret
Yonge, Charlotte M. (Charlotte Mary)
Family -- Juvenile fiction
“What will you do with it?” said the children, standing round.
“Do you think you could ask Mary to spare us a jug, Susan? If I might
put it in water in the schoolroom fireplace, it would look fresh and
cheerful for Sunday.”
“Oh, yes,” said Susan, pleased with the commission, “that I will;” and
away she ran, while Miss Fosbrook examined the spike to her own great
enjoyment. “I see,” she said, “the flowers are not really white, they
each have a patch of pink or yellow on them, which gives them their
softness. Yes; and do you see, Bessie, they are in clusters of three,
and each three has one flower with a pink spot, and two with a yellow
one.”
“That is very curious,” said Bessie: the fretfulness was very much gone
out of her tone, and she stood looking at the beautiful flower, without a
word, till Susan came back, when she began to show her what Miss Fosbrook
had pointed out. Susan smiled with her really good nature, and said,
“How funny!” but was more intent on telling Miss Fosbrook that she had
brought the jug, and then on hauling Elizabeth away to a game at Tom
Tittler’s ground.
Miss Fosbrook said she would put away the flower and come back again; and
she settled the branch in the chimney, where it looked very graceful, and
really did enliven the room, and then walked out towards the lawn.
There was a lawn in front of the house, part of which had been formerly
levelled for a bowling-green, and was kept clear of shrubs or
flower-beds. Beyond was a smooth, rather rapid slope towards a quiet
river, beyond which there rose again a beautiful green field, crowned
above by a thick wood, ending at the top in some scraggy pine-trees, with
scanty dark foliage at the top of their rude russet arms. Fine trees
stood out here and there upon the slope of the field; and Captain
Merrifield’s fine sleeked cows were licking each other, or chewing the
cud, under them.
There was a white Chinese bridge, the rails all zigzags, and patterns
running this way and that, so that it must have been very ugly and
glaring before the white paint had faded so much.
The house was a respectable old stone building, rather brown and grey,
and the stone somewhat disposed to peel off in flakes; the windows large
sashes, set in great projecting squared stones, the tallest and biggest
at the top. It was a house of a very sober pleasant countenance, that
looked as if it had always been used to have a large family in it; and
there was a vine, with all its beauteous leaves, trained all across the
garden front, making a pleasant green summer-blind over the higher half
of the drawing-room windows, that now stood open, telling of the
emptiness within.
Public-domain text, read in full here on John Shaqi.
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