"Then my boot was in the mouth of one, and in a moment he and I were in a heap with the canvas fluttering down on the top of us. I fancy I dashed out his brains with my foot. I expected nothing more than to be brained myself by the other two, but the poor heathen had never heard of Baldwin, and incontinently bolted. "I struggled out of the tangle of dead Chin and canvas, and looked round. About ten paces off lay the head of the Sepoy staring in the moonlight. Then I saw the water and went and drank. There wasn't a sound in the world but the footsteps of the departing Chins, a faint shout from above, and the gluck of the water. So soon as I had drunk my full I started off down the river. "That about ends the explanation of the flying man story. I never met a soul the whole eight miles of the way. I got to Walters' camp by ten o'clock, and a born idiot of a sentinel had the cheek to fire at me as I came trotting out of the darkness. So soon as I had hammered my story into Winter's thick skull, about fifty men started up the valley to clear the Chins out and get our men down. But for my own part I had too good a thirst to provoke it by going with them. "You have heard what kind of a yarn the Chins made of it. Wings as long as a mule, eh?--And black feathers! The gay lieutenant bird! Well, well." The lieutenant meditated cheerfully for a moment. Then he added, "You would scarcely credit it, but when they got to the ridge at last, they found two more of the Sepoys had jumped over." "The rest were all right?" asked the Ethnologist. "Yes," said the lieutenant; "the rest were all right, barring a certain thirst, you know." And at the memory he helped himself to soda and whisky again. THE DIAMOND MAKER Some business had detained me in Chancery Lane until nine in the evening, and thereafter, having some inkling of a headache, I was disinclined either for entertainment or further work. So much of the sky as the high cliffs of that narrow cañon of traffic left visible spoke of a serene night, and I determined to make my way down to the Embankment, and rest my eyes and cool my head by watching the variegated lights upon the river. Beyond comparison the night is the best time for this place; a merciful darkness hides the dirt of the waters, and the lights of this transition age, red, glaring orange, gas-yellow, and electric white, are set in shadowy outlines of every possible shade between grey and deep purple. Through the arches of Waterloo Bridge a hundred points of light mark the sweep of the Embankment, and above its parapet rise the towers of Westminster, warm grey against the starlight. The black river goes by with only a rare ripple breaking its silence, and disturbing the reflections of the lights that swim upon its surface. "A warm night," said a voice at my side.