Miss Reynier listened to him with eyes that were alternately puzzled and
appreciative. It was a discourse that would have seemed to her much more
natural coming from Aleck Van Camp; but then, Mr. Van Camp really did the
thing--that sort of thing--and he rarely talked about it. It had
probably been Mr. Lloyd-Jones' first essay in the world out of reach of
his valet and a club cocktail; and he was consequently impressed with his
achievement. It was evident that Miss Reynier and the amateur miner were
on friendly terms, though Aleck had not seen or heard of him before. He
had hob-nobbed with Mr. Chamberlain in London and on more than one
scientific jaunt. The slightest flicker of jealous resentment gleamed in
Aleck's eyes, but his speech was as slow and precise as ever.
"I was just trying to convince Miss Reynier that outdoor life has its
peculiar joys," he said. "I was even now suggesting that she should dig,
though not for silver. Does Mr. Lloyd-Jones' lucre seem more alluring
than my little wriggly beasts, Miss Reynier?"
If Aleck meant this speech for a trap to force the young woman to
indicate a preference, the trick failed, as it deserved to fail. Miss
Reynier was able to play a waiting game.
"I couldn't endure either your mines or your mud-puddles. You are both
absurd, and I don't understand how you ever get recruits for your
hobbies. But come over and see this new engraving, Mr. Jones; it's an
old-fashioned picture of your beloved Rhine."
Aleck, thus liberated from Mr. Lloyd-Jones and his mines, made his way
across the room to Madame Reynier. The cunning of old Adam, was in his
eye, but otherwise he was the picture of deferential innocence.
Madame Reynier liked Aleck, with his inoffensive Americanisms and
unfailing kindliness; and with her friends she was frankness itself.
With two men on Miss Reynier's hands for entertainment, it seemed to
Aleck unlikely that either one could make any alarming progress.
Besides, he was glad of a tete-a-tete with the chaperone.
Madame Reynier was a tall, straight woman, elderly, dressed entirely in
black, with gaunt, aristocratic features and great directness of speech.
She had the fine kind of hauteur which forbids persons of this type ever
to speak of money, of disease, of scandal, or of too intimate
personalities; in Madame Reynier's case it also restrained her from every
sort of exaggerated speech. She spoke English with some difficulty and
preferred French.
Van Camp seated himself on a spindle-legged, gilt chair by Madame
Reynier's side, and begged to know how they were enduring the New York
climate, which had formerly proved intolerable to Madame Reynier. As he
seated himself she stretched out saving hands.
Public-domain text, read in full here on John Shaqi.
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