The stone age in North America, vol. 1 of 2 — John Shaqi
The stone age in North America, vol. 1 of 2Moorehead, Warren K. (Warren King)
History
The stone age in North America, vol. 1 of 2
Moorehead, Warren K. (Warren King)
Indians of North America -- Antiquities; Stone age -- North America
and that they were preferred to the stone points.
“My early acquaintance with Catlin, the artist, was in the shop of
Catlin, musical instrument and model maker, of Philadelphia. There I
knew him as a very expert and superior workman in wood and ivory. As a
portrait painter he was not at that time successful. He painted strong
likenesses, but they lacked lifelike coloring. A delegation of Indians
on their way to Washington gave him an opportunity to paint the likeness
of one of the chiefs. This was exhibited in the Pennsylvania Academy of
Fine Arts, and from its novelty attracted much attention; in fact, it
was so far a success as to bring him into notice. About this time, I met
him very frequently; his conversation always drifted on to the great
value and importance of preserving correct likenesses of the Indians,
whom he believed to be fast passing away. We all know how well he lived
up to this idea, devoting his life to the work of producing the
collection of Indian portraits now in the National Museum.
“On Mr. Catlin’s return from his long sojourn among the Indians,
believing that, as an observing practical mechanic, nothing in the way
of art among them would escape him, I took the first opportunity to see
him. On my inquiry as to the mode in practice of splitting the stone
into flakes for arrow- and spear-points, his reply was by a question
characteristic of the man. He asked if I had forgotten Dr. Jones’s
axiom, ‘The least possible momentum is greater than the greatest
possible pressure.’ This was in allusion to a lecture on mechanics we
had together heard delivered by Dr. Thomas P. Jones (afterwards
Commissioner of Patents). He then added, ‘That is well understood by the
flake-makers among the Indians, but it will soon be among the lost arts,
just as the nests of Birmingham brass battered-ware kettles, the Yankee
tinware, and glass whiskey bottles have already almost totally destroyed
their crude art of pottery-making. The rifle is taking the place of the
bow and arrow. For boys’ practice and for small game the iron points got
from the fur traders are preferred to stone. A common jack-knife is
worth to them more than all the flint knives and saws ever made.’
[Illustration:
FIG. 43. (S. 1–2.) Curved flake knife. Clement L. Webster collection.
Found in New Mexico.
]
Public-domain text, read in full here on John Shaqi.
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