The stone dragon and other tragic romancesGilchrist, Murray
General
The stone dragon and other tragic romances
Gilchrist, Murray
Fantasy fiction, English; Paranormal fiction, English; Short stories, English
Phyllida was mine now! Phyllida was mine now! Daintily I lifted
her hand to my arm, and with the echo of the vicar’s shrewish
congratulations ringing in our ears we moved into the mid-day sunlight,
and began to walk towards Colmer.
‘You are my wife,’ I said. ‘Mistress Drassington, we are out of
everybody’s sight--these trees will hide us--you need have no shame in
kissing me here.’
She made no reply: I turned towards her, imagining that she was wrought
beyond speech. We had reached the Syne Marie Wood, where the great
conifers screened off the sun. But one dusky shaft crowned Phyllida,
and sliding from her head struck her fingers and danced there. Her face
was set, her eyelids had fallen.
‘Tell me, love,’ I murmured. ‘Let me help you: you know you are mine
now. One kiss, just one, my meed if I have ever given you an instant’s
happiness.’
Neither word nor movement responded. She was impenetrably silent: her
flame-coloured gown became a barrier of defence: I dared not touch her.
‘Phyllida,’ I entreated. ‘My wife!’
Those woebegone eyes were raised slowly. ‘Wife,’ she said, like one in
a dream, ‘I am no wife. I am true, true as Heaven itself. Do not write
again, I will be true.’
Suddenly her face changed terribly, and she drew herself to her full
height. ‘For God’s sake, Rupert Drassington!’ she cried, ‘for God’s
sake tell me that it is not so!’
‘What, dearest?’ I said.
‘My terror--that we are man and wife.’
‘I am yours and you are mine--my wife--my wife.’ And my tongue dwelt on
the words with delight.
But Phyllida left my side, and, sitting on the trunk of a newly-felled
tree, wept as her poor heart would break.
PART III
THE MARRIAGE NIGHT
A dull fear troubled me from the moment when Phyllida, with many
piteous words, begged me to leave her to herself until evening. Her
face was averted all the time, although I strove to make her look at
mine, in the belief that my agony at this phase might excite her pity
and compel the confidence she withheld.
Assured that she loved me with all her soul, I had no distrust of her.
Phyllida was the perfection of purity; in what I knew of her past she
had shone with a splendid chasteness, and not a breath had sullied
her repute. The curious letters she had read the night before told
of nothing but the holiest love, and the insinuation concerning an
influence that would prevail was nothing more than a poet’s fancy. I
had conceived many such: in my story of _Hope Deferred_ Michael strives
to bind Mary so, and despite her fears of being his bond-maid for ever,
at the dawn of a stronger passion, a stretching of the limbs, a higher
inspiration breaks lightly asunder the shrivelled withes, and Michael
becomes a memory and no more.
Public-domain text, read in full here on John Shaqi.
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