The Stones of Venice, Volume 1 (of 3) — John Shaqi
The Stones of Venice, Volume 1 (of 3)Ruskin, John
History
The Stones of Venice, Volume 1 (of 3)
Ruskin, John
Architecture -- Italy -- Venice
§ XI. There is, however, another most interesting feature in the policy
of Venice which will be often brought before us; and which a Romanist
would gladly assign as the reason of its irreligion; namely, the
magnificent and successful struggle which she maintained against the
temporal authority of the Church of Rome. It is true that, in a rapid
survey of her career, the eye is at first arrested by the strange drama
to which I have already alluded, closed by that ever memorable scene in
the portico of St. Mark's,[13] the central expression in most men's
thoughts of the unendurable elevation of the pontifical power; it is
true that the proudest thoughts of Venice, as well as the insignia of
her prince, and the form of her chief festival, recorded the service
thus rendered to the Roman Church. But the enduring sentiment of years
more than balanced the enthusiasm of a moment; and the bull of Clement
V., which excommunicated the Venetians and their doge, likening them to
Dathan, Abiram, Absalom, and Lucifer, is a stronger evidence of the
great tendencies of the Venetian government than the umbrella of the
doge or the ring of the Adriatic. The humiliation of Francesco Dandolo
blotted out the shame of Barbarossa, and the total exclusion of
ecclesiastics from all share in the councils of Venice became an
enduring mark of her knowledge of the spirit of the Church of Rome, and
of her defiance of it.
To this exclusion of Papal influence from her councils, the Romanist
will attribute their irreligion, and the Protestant their success.[14]
The first may be silenced by a reference to the character of the policy
of the Vatican itself; and the second by his own shame, when he reflects
that the English legislature sacrificed their principles to expose
themselves to the very danger which the Venetian senate sacrificed
theirs to avoid.
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