Now, if we were never in the habit of seeing anything but real marbles,
this language of theirs would soon begin to be understood; that is to
say, even the least observant of us would recognize such and such stones
as forming a peculiar class, and would begin to inquire where they came
from, and, at last, take some feeble interest in the main question, Why
they were only to be found in that or the other place, and how they
came to make a part of this mountain, and not of that? And in a little
while, it would not be possible to stand for a moment at a shop door,
leaning against the pillars of it, without remembering or questioning of
something well worth the memory or the inquiry, touching the hills of
Italy, or Greece, or Africa, or Spain; and we should be led on from
knowledge to knowledge, until even the unsculptured walls of our streets
became to us volumes as precious as those of our libraries.
§ XLIII. But the moment we admit imitation of marble, this source of
knowledge is destroyed. None of us can be at the pains to go through the
work of verification. If we knew that every colored stone we saw was
natural, certain questions, conclusions, interests, would force
themselves upon us without any effort of our own; but we have none of us
time to stop in the midst of our daily business, to touch and pore over,
and decide with painful minuteness of investigation, whether such and
such a pillar be stucco or stone. And the whole field of this knowledge,
which Nature intended us to possess when we were children, is hopelessly
shut out from us. Worse than shut out, for the mass of coarse imitations
confuses our knowledge acquired from other sources; and our memory of
the marbles we have perhaps once or twice carefully examined, is
disturbed and distorted by the inaccuracy of the imitations which are
brought before us continually.
§ XLIV. But it will be said, that it is too expensive to employ real
marbles in ordinary cases. It may be so: yet not always more expensive
than the fitting windows with enormous plate glass, and decorating them
with elaborate stucco mouldings and other useless sources of expenditure
in modern building; nay, not always in the end more expensive than the
frequent repainting of the dingy pillars, which a little water dashed
against them would refresh from day to day, if they were of true stone.
But, granting that it be so, in that very costliness, checking their
common use in certain localities, is part of the interest of marbles,
considered as history. Where they are not found, Nature has supplied
other materials,--clay for brick, or forest for timber,--in the working
of which she intends other characters of the human mind to be developed,
and by the proper use of which certain local advantages will assuredly
be attained, while the delightfulness and meaning of the precious
marbles will be felt more forcibly in the districts where they occur, or
on the occasions when they may be procured.
Public-domain text, read in full here on John Shaqi.
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