The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built ThemGelder, Jane (Trill) van
History
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them
Gelder, Jane (Trill) van
Pyramids
And, first, I will describe what belongs to the table. It was, indeed,
in the King’s mind to make this table vastly large in its dimensions;
but then he gave orders that they should learn what was the magnitude
of the table which was already at Jerusalem, and how large it was, and
whether there were a possibility of making one larger than it; and when
he was informed how large that was which was already there, and that
nothing hindered but a larger might be made, he said that he was
willing to have one made that should be five times as large as the
present table; but his fear was, that it might be then useless in their
sacred ministrations by its too great largeness; for he desired that
the gifts he presented them should not only be there for show, but
should be useful also in their sacred ministrations.
According to which reasoning, that the former table was made of so
moderate a size for use, and not for want of gold, he resolved that he
would not exceed the former table in largeness, but would make it
exceed it in the variety and elegancy of its materials; and as he was
sagacious in observing the nature of all things, and in having a just
notion of what was new and surprising, and where there were no
sculptures, he would invent such as were proper by his own skill, and
would show them to the workmen, he commanded that such sculptures
should now be made; and that those which were delineated should be most
accurately formed, by a constant regard to their delineation.
When therefore the workmen had undertaken to make the table, they
framed it in length two cubits, in breadth one cubit, and in height one
cubit and a half; and the entire structure of the work was of gold.
They withal made a crown of a hand-breadth round it, with wave-work
wreathed about it, and with an engraving which imitated a cord, and was
admirably turned on its three parts; for as they were of a triangular
figure, every angle had the same disposition of its sculptures, that
when you turned them about, the very same form of them was turned about
without any variation.
Now that part of the crown-work that was enclosed under the table had
its sculptures very beautiful; but that part which went round on the
outside was more elaborately adorned with most beautiful ornaments,
because it was exposed to sight, and to the view of the spectators; for
which reason it was that both those sides which were extant above the
rest were acute, and none of the angles, which we before told you were
three, appeared less than another when the table was turned about.
Public-domain text, read in full here on John Shaqi.
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