The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built ThemGelder, Jane (Trill) van
History
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them
Gelder, Jane (Trill) van
Pyramids
Now into the cord-work thus turned were precious stones inserted, in
rows parallel one to the other, enclosed in golden buttons, which had
ouches in them; but the parts which were on the side of the crown, and
were exposed to the sight, were adorned with a row of oval figures
obliquely placed, of the most excellent sort of precious stones, which
imitated rods laid close, and encompassed the table round about; but
under these oval figures thus engraven, the workmen had put a crown all
round it, where the nature of all sorts of fruit was represented,
insomuch that the bunches of grapes hung up; and when they had made the
stones to represent all the kinds of fruit before mentioned, and that
each in its proper colour, they made them fast with gold round the
whole table.
The like disposition of the oval figures, and of the engraved rods, was
framed under the crown, that the table might on each side show the same
appearance of variety and elegancy of its ornaments, so that neither
the position of the wave-work nor of the crown might be different,
although the table were turned on the other side, but that the prospect
of the same artificial contrivances might be extended as far as the
feet; for there was made a plate of gold four fingers broad, through
the entire breadth of the table, into which they inserted the feet, and
then fastened them to the table by buttons and button-holes, at the
place where the crown was situate, that so on what side soever of the
table one should stand, it might exhibit the very same view of the
exquisite workmanship, and of the vast expenses bestowed upon it.
But upon the table itself they engraved a meander, inserting into it
very valuable stones in the middle like stars, of various colours; the
carbuncle and the emerald, each of which sent out agreeable rays of
light to the spectators; with such stones of other sorts also as were
most curious and best esteemed, as being most precious in their kind.
Hard by this meander a texture of network ran round it, the middle of
which appeared like a rhombus, into which were inserted rock-crystal
and amber, which, by the great resemblance of the appearance they made,
gave wonderful delight to those that saw them.
The chapiters of the feet imitated the first budding of lilies, while
their leaves were bent and laid under the table, but so that the chives
were seen standing upright within them. Their bases were made of a
carbuncle; and the place at the bottom, which rested on that carbuncle,
was one palm deep, and eight fingers in breadth.
Now they had engraven upon it, with a very fine tool, and with a great
deal of pains, a branch of ivy, and tendrils of the vine, sending forth
clusters of grapes, that you would guess they were nowise different
from real tendrils; for they were so very thin, and so very far
extended at their extremities, that they were moved with the wind, and
made one believe that they were the product of nature, and not the
representation of art.
Public-domain text, read in full here on John Shaqi.
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