The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built ThemGelder, Jane (Trill) van
History
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them
Gelder, Jane (Trill) van
Pyramids
“Though I had no small experience in exploring catacombs and tombs,
these were so different from any I had seen that I found it difficult
to distinguish the habitations of the living from the chambers of the
dead. The façades or architectural decorations of the front were
everywhere handsome; and in this they differed materially from the
tombs in Egypt. In the latter the doors were simply an opening in the
rock, and all the grandeur and beauty of the work within; while here
the door was always imposing in its appearance, and the interior was
generally a simple chamber, unpainted and unsculptured.[52] I say that
I could not distinguish the dwellings from the tombs; but this was not
invariably the case. Some were clearly tombs, for there were pits in
which the dead had been laid, and others were as clearly dwellings,
being without a place for the deposit of the dead. One of these last
particularly attracted my attention. It consisted of one large chamber,
having on one side, at the foot of the wall, a stone bench about one
foot high and two or three broad, in form like the divans in the East
at the present day; at the other end were several small apartments,
hewn out of the rock, with partition-wall left between them, like
stalls in a stable, and these had probably been the sleeping apartments
of the family.
“There were no paintings or decorations of any kind within the chamber;
but the rock out of which it was hewn, like the old stony rampart that
encircled the city, was of a peculiarity and beauty that I never saw
elsewhere, being a dark ground, with veins of white, blue, red, purple,
and sometimes scarlet and light orange, running through it in rainbow
streaks; and within the chambers, where there had been no exposure to
the action of the elements, the freshness and beauty of the colours in
which these waving lines were drawn gave an effect hardly inferior to
that of the paintings in the tombs of the Kings at Thebes.
“Farther on, in the same range—though, in consequence of the steps of
the streets being broken, we were obliged to go down and ascend again
before we could reach it—was another temple, like the first, cut out
of the solid rock, and, like the first, too, having for its principal
ornament a large urn, shattered and bruised by musket-balls; for the
ignorant Arab, believing that gold is concealed in it, day after day,
as he passes by, levels at it his murderous gun, in the vain hope to
break the vessel and scatter a golden shower on the ground.”
Public-domain text, read in full here on John Shaqi.
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