Russia -- Social conditions -- 1801-1917 -- Drama; Russian drama -- Translations into English
FEKLUSHA.
No, ma'am; there is peace and quietness in this town, because there are
many people, you for instance, adorned with virtues, as with flowers;
that's why everything is done decorously and tranquilly. Why, what is the
meaning of all that haste and bustle, ma'am? It is vanity, to be sure! In
Moscow now: the folk run to and fro; there's no knowing for why. It is all
vanity. It is a people, full of vanity, ma'am, and so it runs to and fro.
Each one fancies he's hurrying on business; he hastens, poor fellow,
doesn't recognise people; it seems to him that someone is beckoning him;
but when he gets to the place, sure enough it's empty, there's nothing
there, it's only a dream. And he is downcast and disappointed. And another
one fancies that he's overtaking someone he knows. Anyone looking on can
see in a trice that there's no one; but it seems to him in his vanity and
delusion that he's overtaking someone. Vanity, to be sure, is like a fog
about them. Here among you on a fine evening like this, it's not often
anyone even comes out to sit at his gate; but in Moscow now there's
walking and playing, and a fearful racket going on in the street; a
continual roar. And what's more, Marfa Ignatievna, ma'am, they've
harnessed a fiery serpent to drive: all, look you, for the sake of more
speed.
MME. KABANOVA.
I have heard tell of it, my dear.
FEKLUSHA.
But I, ma'am, have seen it with my own eyes; no doubt, others, in
blindness and vanity, see nothing, so it seems a machine to them, but I
saw it doing like this _(spreading out her fingers)_ with its paws. And a
roar, too, that folks of righteous life hear for what it is.
MME. KABANOVA.
You can call it anything you like, call it a machine, if you will; the
people is foolish and will believe anything. But as for me you might load
me with gold, I wouldn't drive with such a thing.
FEKLUSHA.
The very idea, ma'am! The Lord preserve us from such a thing. And let me
tell you too, Marfa Ignatievna, ma'am, a vision I had in Moscow. I went
out early in the morning, it was just dawn, and on a high, very high
house, on the roof, I saw someone standing, with a black face. You
understand whom I mean. And he kept moving his hands, as though he were
scattering something, but nothing fell. Then I divined that he was the
enemy sowing tares, and the people in their blindness see it not, and
gather them up. And that is why they run to and fro so, and the women
among them are all so thin, and never get plump and comfortable, but
always look as if they had lost something, or were looking for something,
and that careworn they are, you feel sorry for them.
MME. KABANOVA.
Anything is possible, my dear, in our times, one can't be surprised at
anything.
FEKLUSHA.
Hard times they are, Marfa Ignatievna, ma'am, very hard. Already the time
has begun diminishing.
MME. KABANOVA.
How is that? diminishing, my dear?
Public-domain text, read in full here on John Shaqi.
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