United States -- History -- Civil War, 1861-1865 -- Fiction
And Judge Roscoe, who had borne his own losses like a philosopher, had
tears in his eyes for her losses. "Oh, poor Leonora!" he had exclaimed.
"Your very presence is a boon, my dear. But for _you_ to be so stricken
and desolate and--"
He was about to say "robbed," but the facts forbade him; for Gwynn's
legal rights rendered her position as difficult as unenviable. In her
own house she had contrived to hold her belongings together. Now, day by
day, came tidings of the sale of her special personal effects--her
carriage, her domestic animals, her furniture, the very pictures on the
walls; then had followed a letter from her husband, regretting all his
misdeeds and promising infinite rehabilitation if she would but forgive
him. Naught could provoke a remonstrance, could stimulate Leonora to
action, could induce a return.
Judge Roscoe had said but little. He had the deep-seated juridical
respect for the relation of man and wife as a creation of law, as well
as an institution of God. When he was appealed to, he felt it his duty
to place impartially before her the husband's arguments, and promises,
and protestations, but he experienced intense relief when she tersely
dismissed Rufus Gwynn's plea for a reconciliation. "I know him now," she
replied.
"An' 'fore de Lawd, _I_ knows him too!" her old nurse declared; "I jes'
uped an' I sez, 'Marse Rufe, ye hev' got sech a notion o' sellin' out,
ye mought sell old Chaney--ef ennybody would buy sech a contraption in
dese days! So I'm goin' over to my old home at Judge Roscoe's place, to
wait on Miss Leonora. I knows she needs me, an' I 'spect she's watchin'
fur me now.' An' Marse Rufe, he says, 'Aunt Chaney, I don't know _what_
you are talking about! Go over there, an' welcome! An' try to get my
wife to see I was just overtaken in my temper and desperate; _you_
persuade her to come back, Aunt Chaney.' Dat's what de debbil said ter
me. I always heard dat de debbil had a club foot. But, mon, he ain't.
Two long, slim, handsome feet, an' his boots, sah, made in New Orleens!"
The end had come characteristically at last! A horse, furiously ridden,
brutally beaten, reared suddenly, lost his balance, fell backward,
crushing the rider and breaking his neck. And so Rufus Gwynn reached his
goal, and his wife was free at last.
Free as some defenceless, hunted, tremulous animal, miraculously
escaping fierce fangs, and a furious rush of a murderous pursuit;
forever dominated by the sense of disaster, and despair, and flight;
forever looking backward, forever hearkening to the echoes of the
troublous past--exhausted, listless, hopeless, every impulse of volition
stunned.
Public-domain text, read in full here on John Shaqi.
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