The storm of London: a social rhapsodyBlaze de Bury, Fernande
Science
The storm of London: a social rhapsody
Blaze de Bury, Fernande
London (England) -- Fiction; Science fiction
“By God!” exclaimed Lord Somerville as he leaned back on the cushions of
his brougham, “I never realised the brutal ferocity of London life until
I saw its nocturnal Bacchanals synthesised within so many square feet.”
He passed in review, in his mind’s eye, what he had seen:—Lady Carlton
in the leading part of the wildest of street rovers, cigarette in her
mouth, reeling from one side of the pavement to the other, nudging this
one, thrusting her cigarette under the nose of another, pulling the
beard of a stolid policeman, vociferating at the cab drivers. Lord
Somerville had seen a good deal of what these women were trying to
impersonate, but he never remembered having blushed so deeply, nor of
having been so conscious of shame, as he felt that night. But this was
only the beginning of the show. The last tableau was most striking. The
front of the houses, represented by painted scenery, suddenly rolled off
as by enchantment, and there, in view of a breathless public, were to be
seen the interiors of gambling houses, massage establishments, night
clubs—you can guess the rest! This final scene was all pantomimic, and
although not one word was spoken, still, the despair of the man who sees
his gold raked away on the green baize, the heartrending bargains of
human flesh for a few hours of oblivion, were vivid pictures which left
very few shreds of illusions in the minds of a dumbfounded audience.
Then came the grand finale of hurry and skurry between the police and
the gamblers and night revellers of all sorts; and this was a triumph of
_mise-en-scène_ and animation. To make it still more realistic, the
Countess of Lundy had elected to appear in a night wrap, as two
constables made a raid on the so-called massage establishment. But what
a night wrap! The Earl smiled as he recalled the masterpiece in which
Doucet of Paris had surpassed himself, revealing with subtle
suggestiveness the lissome shape of arms and legs, and full curves of
the breast through a foam of white lace and chiffon. As he sat in the
darkness of his brougham, he closed his eyes and saw the Countess as she
had stood in front of the footlights, unblushingly courting the approval
of her public; and he still heard in his ears the furious applause of
London Society gathered that night in Islington Hall. What had most
struck this leader of fashion was the total ignorance in which one class
of well-fed, well-protected human beings lived of all miseries that
unshielded thousands have to bear. He thought of the many women on whom
he daily called, dined with, joked with; how many possessed that
ferocious glance of the pleasure-seeker, the audacious stare of the
flesh hunter; but he had never noticed in any of these fearless women of
his world the slightest slackening of tyranny, nor had he ever noticed,
for one moment even, the pathetic humility of the hunted-down street
angler, which is after all her one redeeming feature in that erotic
tragedy.
Public-domain text, read in full here on John Shaqi.
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