THE BOOK
“NOW that I know what paper is made of,” said Jules, “I should like to
know how they make books.”
“I could listen all day without getting tired,” Emile asserted. “For a
story I would leave my top and my soldiers.”
“To make a book, my children, there is double work: first the labor of
the one who thinks and writes it, then the labor of the one who prints
it. To think a book and write it under the sole dictation of one’s mind
is a difficult and serious business. Brain-work exhausts our strength
much more quickly than manual labor, for we must put the best of
ourselves into it, our soul. I tell you these things that you may see
what gratitude you owe those who, solicitous for your future, think and
write in order to teach you to think for yourselves and to free you from
the miseries of ignorance.”
“I am quite convinced,” returned Jules, “of the difficulties to be
overcome in order to compose a book under the sole dictation of one’s
mind; for when I want to write a letter of half a page to wish you a
Happy New Year, I come to a full stop at the first word. How hard it is
to find the first word! My head is heavy, my face flushes, and I can’t
see straight. I shall do better when I know my grammar well.”
“I am sorry, my dear child, but I must undeceive you. Grammar cannot
teach one to write. It teaches us to make a verb agree with its subject,
an adjective with a substantive, and other things of that kind. It is
very useful, I admit, for nothing is more displeasing than to violate
the rules of language; but that does not impart the gift of writing.
There are people whose memories are crammed with rules of grammar, who,
like you, stop short at the first word.
“Language is in some sort the clothing of thought. We cannot clothe what
does not exist; we cannot speak or write what we do not find in our
minds. Thought dictates and the pen writes. When the head is furnished
with ideas, and usage, still more than grammar, has taught us the rules
of language, we have all that is necessary to write excellent things
correctly. But, again, if ideas are wanting, if there is nothing in the
head, what can you write? How are these ideas to be acquired? By study,
reading, and conversation with people better instructed than we.”
“Then, in listening to all these fine things you tell us, I am no doubt
learning to write,” said Jules.
“Why, certainly, my little friend. Is it not true, for example, that if
it had been proposed to you, a few days ago, to write only two lines
about the origin of paper, you would not have been able to do it? What
was wanting? Ideas and not grammar, although you know very little of
that yet.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account