The Story Hour: A Book for the Home and the KindergartenWiggin, Kate Douglas Smith
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The Story Hour: A Book for the Home and the Kindergarten
Wiggin, Kate Douglas Smith
Children -- Conduct of life -- Juvenile fiction; Children's stories; Conduct of life -- Juvenile fiction; Short stories
If you chance to be the Person with a Story, you sit like a queen on her
throne surrounded by her loyal subjects; or like an unworthy sun with a
group of flowers turning their faces towards you. Inspired by breathless
attention, you try ardently to do your very best. It seems to you that
you could never endure a total failure, and you hardly see how you could
bear, with any sort of equanimity, even the vacant gaze or restless
movement that would bespeak a vagrant interest. If you are a novice,
perhaps the frightful idea crosses your mind, “What if one of
these children should slip out of the room?” Or, still more tragic
possibility, suppose they should look you in the eye and remark with the
terrible candor of infancy, “We do not like this story!” But no; you
are more fortunate. The tale is told, and you are greeted with sighs of
satisfaction and with the instantaneous request, “Tell it again!” That
is the encore of the Story-Teller,--“Tell it again! No, not another
story; the same one over again, please!” for “what novelty is worth
that sweet monotony where everything is known, and loved because it is
known?” No royal accolade could be received with greater gratitude. You
endeavor to let humility wait upon self-respect; but when you discover
that the children can scarcely be dragged from your fascinating
presence, crying like Romeo for death rather than banishment, and that
the next time you appear they make a wild dash from the upper regions,
and precipitate themselves upon you with the full impact of their
several weights “multiplied into their velocity,” you cannot help
hugging yourself to think the good God has endowed you sufficiently to
win the love and admiration of such keen observers and merciless little
critics.
Now this charming little drama takes place in somebody's nursery corner
at twilight, when you are waiting for “that cheerful tocsin of the
soul, the dinner-bell,” or around somebody's fireside just before the
children's bedtime; but the same scene is enacted every few days in the
presence of the fresh-hearted, childlike kindergartner, of all women the
likeliest to find the secret of eternal youth. She chooses the story as
one of the vessels in which she shall carry the truth to her circle
of little listeners, and you will never hear her say, like the needy
knife-grinder, “Story? God bless you, I have none to tell, sir!”
Public-domain text, read in full here on John Shaqi.
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