Her room, where I liked to come to play because it was so large and
sunny, was furnished as simply as a Presbyterian parsonage: the waxed
walnut furniture was of the Directory period, the large bed had a canopy
of thick, red, cotton stuff and the walls were painted an ochre yellow;
and upon them in gilt frames, slightly tarnished, were hung water colors
representing vases of flowers. I very soon discovered that this room
was furnished in a very simple and old-fashioned way, and I thought to
myself that the good old grandmother who sang so constantly must be much
poorer than my other grandmother, who was younger by twenty years,
and who always dressed in black--which last matter seemed an elegant
distinction to me.
But to return to my drawings! I think that the pictures of those two
ducks, occupying such different stations in life, were the first I ever
drew.
At the bottom of the picture called “The Happy Duck” I had drawn a tiny
house, and near the duck himself there was a large, kind woman who was
calling him to her so that she might give him food.
“The Unhappy Duck,” on the other hand, was swimming about solitary and
alone on a sort of hazy sea, which I had represented by drawing two or
three straight lines, and in the distance one could see the outline of a
gloomy shore. The thin paper, a leaf torn from a book, had print on the
reverse side, and the letters showed through in grayish flecks and gave
the curious impression as of clouds in the sky. And that little drawing,
with less form than a school-boy's blackboard scrawl, was completely
transfigured by those gray spots, and because of them it took on for me
a deep and dreadful significance. Aided by the dim light in the room the
pictured scene became a vision that faded away into the distance like
the pale surface of the sea. I was terrified at my own work; I was
astonished to find in it those things that I had not put there; to
discover in it those things which elsewhere had given me such a well
remembered anguish.
“Oh!” I said with exaltation to my young companion, who did not
understand anything of what was going forward, “Oh!” I exclaimed with a
voice full of emotion, “you may see it; I cannot bear to look at it!” I
covered the picture with my hands, but nevertheless I peeped at it very
often; and it was so vividly impressed upon my mind that I can still
recall it as it appeared to me transfigured: a gleam of light lay upon
the horizon of that sea so awkwardly represented, the heavens appeared
to be filled with rain, and it seemed to be a dreary winter evening in
which there was a fierce wind blowing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account