Dolff could not speak. He stared dully at his questioner, unable to
reply. The sound of the outer door pushed open, and men’s footsteps upon
the path, came in like a sort of horrible accompaniment and explanation.
The perspiration stood in great beads on Dolff’s forehead. He tried to
make a bolt at the passage to the garden, which led by the open door of
the kitchen. Then he drew himself up against the wall, in a half stupor,
as if he could conceal himself so.
“Is it life or death?” said Vicars, in his ear; but Dolff could not
speak.
He had a dim vision of the man’s face, of the light swimming in his
eyes, of the knock upon the door of the house, ominous, awful, like a
knell; and then he suddenly found himself drawn into darkness, into a
warm, close atmosphere, beyond the reach of that, or apparently of any
other sound.
Priscilla, always correct, but a little surprised, not knowing how to
account for such an invasion of the drawing-room, ushered in the
detective, accompanied by a man in a shabby coat, very inappropriate
certainly to that locality. Mr. Dolff had always spoken to such men in
the hall. A parlor-maid is, above all things, an aristocrat. To have to
introduce two such persons to her mistress’s presence offended her in
her deepest sense of right and wrong.
“Is this the man?” said Meredith. “Mrs. Harwood, do you think we might
have a little light?”
“Priscilla is bringing in the lamps,” said Mrs. Harwood, looking with a
little suspicion and annoyance at the men, who certainly were much out
of place: a feeling that there was danger in them somehow, though she
could not tell how, crept into her mind.
She looked anxiously at the dim figures looming against the light, and a
thrill of alarm went through her. Why did Charley insist on having them
here? Why did not Dolff see them in the hall, as he had done before? She
had never had a policeman in her house; never, except--Trouble and
tremor came over her as she sat there growing breathless in her chair.
As for Gussy, she was insensible to every appeal, to every claim upon
her attention but one. She was Meredith’s sick-nurse, watching lest he
should be over-fatigued, thinking of nothing else. There was no help or
support in her for her mother’s anxieties.
When the lamps were brought in matters were no better. A sort of
Rembrandt-like depth of shadow fell upon the two strange figures,
throwing a blackness over the tea-table at which Janet was sitting, and
showing only the form of Meredith in his chair, which was full within
the influence of the shaded light, and the awkward attitudes of the two
men in the middle of the room.
“So this is the man who saw me--knocked down?” said Meredith. His face,
which was the central light in that strange picture, was lit up with
what seemed more like malicious fun than any other sentiment. “And you
think you could identify the fellow who did it? Is that so?”
Public-domain text, read in full here on John Shaqi.
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