“Oh, that’s famous,” cried Dolff, rushing out of the room.
Janet turned an ingenuous glance to her patronesses.
“Am I doing what you wish?” she said. “Perhaps you will tell me, dear
Mrs. Harwood, what it is best to do.”
“It will be horrible Christy Minstrels and things,” said Gussy; “if any
one should come, it would be rather dreadful to have the piano taken up
in that way.”
“At the same time,” cried Mrs. Harwood, “it would be strange if my Dolff
could not sing what he pleased in his own mother’s house.”
“Oh, if you take it in that way,” said Gussy.
She gave a furtive glance at the clock. It was getting late; the
probabilities were that no one would come to-night. And yet sometimes he
came quite late, sometimes he was detained by--business. It was strange
that he never should have appeared since that evening of triumph, when
they had shared the plaudits of their friends, and had been drawn so
close to each other, associated so completely in the common regard.
Gussy had felt that something more definite must come into her relations
with Charles Meredith after that, and she was restless and _distraite_,
unhappy yet subduing her unhappiness, above all things anxious not to
betray herself, or to let even her mother suspect what was in her mind.
A woman must never betray what she expects, in so far at least as this
goes. She went into the other end of the room, voluntarily withdrawing
to a distance where she could not hear any step outside, with a
fantastic hope that when she was thus out of the way it might come: and
moved about, displacing some small pieces of furniture, rustling among
the music on the piano, which was chiefly _his_ music with his name upon
it, in order to give him a chance of arriving unheard. Poor little
device of the strained nerves and sick heart! No one suspected what was
in Gussy’s mind except the last person whom she could have desired to
know it--Janet, who followed her movements with a half-contempt,
half-sympathy. Janet herself was fancy free; though she was immensely
interested in Charles Meredith and his present movements, it was solely
with the interest which is felt in a story, to see what would happen
next; and she had all a girl’s indignation against the woman who thus
let herself go and depended upon a man’s decision for her happiness. At
Janet’s age a girl resents and scorns such a renunciation of the
woman’s rights: yet follows the sufferer with an inalienable pity and
wonder, too.
Dolff came back excited with a sheaf of songs.
“Now, Miss Summerhayes, if you will be so good,” he said. He threw off
the pile of music that was on the piano. “Oh, that’s all classic stuff,”
he said, “I can see with half an eye--and as dull as ditch-water--“C.
Meredith”--it seems all to belong to C. Meredith. I hope you’ll find
mine a little more lively, Miss Summerhayes. It’s Meredith and Gussy
that carry on all that, ain’t it?” he said, with a wink and whisper.
“Oh, you needn’t be afraid--I know.”
Public-domain text, read in full here on John Shaqi.
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