Janet sat down at the piano without making any reply, and Julia stood by
as audience. Dolff placed himself at one side, facing towards the
further room in which his mother was sitting. He had turned her chair
round a little, that she might see the performance, which, indeed, was
supposed to gain in effect from the looks and gestures of the performer.
And then there ensued the most curious exhibition of native fatuity,
vanity, and simplicity that could be imagined. Janet (perhaps even more
important than any other spectator) had the privilege of seeing his
face, too, and all the grimaces he made, as he stood facing an imaginary
audience. The ladies listened to him in a silence which was almost
awful.
Janet, whose hands were busy now, was in no way responsible for Dolff:
and the one who could see everything that was ridiculous in the
exhibition without being humiliated by it was the one who was best off.
But for Mrs. Harwood, listening with a gasp to her son’s performance,
seeing his contortions of face, his gestures, his complacency, the
moment was terrible. And even Julia, though she was not much more than a
child, and disposed to receive all her brother did as admirable, gazed
at him open-mouthed with horror in her face. Gussy had given him but one
look, and then had strayed out into the hall. She was not capable of
judging. Her mind was too much distracted with other thoughts. She went
into the hall with a pretence of something to do there, and even into
the dining-room on the other side, where all was dark, yet where she
penetrated, to carry back a vase with flowers, groping her way. It was
so near the garden, the hall door, the outer road. Nobody could pass or
come to the gate without being audible. Poor Gussy pretended even to
herself that her sole object was to take back the flowers which had been
moved into the drawing-room by mistake, though they belonged to the
decoration of the dinner-table. She knocked against the displaced chairs
and the corner of the table as she went in in the dark, thus preventing
herself from hearing any sound outside; and when those noises were still
her heart beat so loudly as to drown all sound--of the less importance,
as there was no sound to hear!
“Dolff,” said Mrs. Harwood, “that is surely a new style for you. I don’t
remember ever hearing you sing songs like these before.”
“I have been having some lessons,” said Dolff; “they are all the rage
just now. You never learn anything else in Oxford.”
“Oh,” said Mrs. Harwood; but she said no more, and Dolff, who did not
care very much for her opinion, turned to Janet.
“You don’t do yourself justice, Miss Summerhayes,” he said. “You played
that first-rate. You must have heard Arthur Roberts, or some of them, to
do it as well as that.”
“No,” said Janet, “I never heard of Arthur Roberts. Who is he?” a
question which made Dolff laugh--“scream with laughing,”--he said to
himself.
Public-domain text, read in full here on John Shaqi.
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