The Story of a Great SchoolmasterWells, H. G. (Herbert George)
History
The Story of a Great Schoolmaster
Wells, H. G. (Herbert George)
Sanderson, F. W. (Frederick William), 1857-1922; School principals -- Great Britain -- Biography
'And in all this we read the duty and service of schools. The business
of schools is through and by the use of a common service to get at the
true spiritual nature of the ordinary things we have to deal with. The
spirit of the true active life does not come to us _only_ in those
experiences we have been so accustomed to think of as beautiful and
revealing. The active spirit of life is not revealed simply by the
arts--the beautiful arts as they may be thought--of music or painting,
or literature. These indeed may be only and abundantly _material_,
and the eye and ear may be blind and deaf to the active, creative,
discovering, revealing spirit. "Painting, or art generally, as such,"
says Ruskin in his _Modern Painters_, "with all its technicalities,
difficulties, executive skills, pleasant and agreeable sensations, and
its particular ends, is nothing but an expressive language, invaluable
if we know it as we might know it as the vehicle of thought, but by
itself nothing." He who has learnt what is commonly considered as the
whole art of painting, that is the art of representing any natural
object faithfully, has as yet only learnt the language by which his
thoughts are to be expressed. One language or mode of expression may be
more difficult than another; but it is not by the mode of representing
and saying, but by the greatness, the awakening, the transmuting and
transfiguring conception and knowledge of the thought presented, that
the gift cometh, that man is created. Awkward, discordant, stammering
attempts may be the burning message of a new hope. But this "voice" of
art is too often drowned. It is drowned by executive skill--as is the
history of all art--when this skill stretches itself to present things
that are static, motionless, dead....
'It is especially our duty to reveal the spirit of God in the things
of science and of the practical life. Herein lies a new revelation, a
new language, a direct symbolism. Science, just like art and music, can
be materialistic--science can aim only at mechanical advancement and
worldly wealth, which is not wealth at all--just as art can aim only at
pleasure, desire, and drawing-room appreciation. But this need not be
so. Certainly no one in a responsible position can teach science for
long without the coming of the revelation of a new voice, a new method
of expression, a new art--revealing quite changed standards of value,
quite new significances of what we speak of as culture, beauty, love,
justice. A new voice speaks to the souls of men and women calling for a
new age with all its altered relationships and adventures of life.
'With eyes opened to this new art you can wander through the science
block and find in it all a new Bible, a new book of Genesis. So we
believe. This is our duty and our faith. Into this Paradise have you
been placed to dress it and to keep it.'
Public-domain text, read in full here on John Shaqi.
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