The Story of a HareTregarthen, J. C. (John Coulson)
General
The Story of a Hare
Tregarthen, J. C. (John Coulson)
Hares -- Fiction
THE STORY OF A HARE
[Illustration: _C. Reid._, _Frontispiece._,
“HE SAT AND LISTENED.”]
THE
STORY OF A HARE
BY J. C. TREGARTHEN, F.Z.S.
AUTHOR OF “WILD LIFE AT THE LANDS END,” “THE LIFE STORY OF A FOX,”
“THE STORY OF AN OTTER.”
WITH ILLUSTRATIONS
NEW YORK
HEARST’S INTERNATIONAL LIBRARY CO.
1915
FIRST EDITION _November 1912_
_Reprinted_ _June 1915_
TO
MARIE CORELLI
IN GRATEFUL RECOGNITION
OF A VALUED AND LASTING
FRIENDSHIP
* * * * *
PREFACE
Whilst few, if any, animals have more enemies than the hare, none
perhaps is better endowed with instincts to outwit them.
As that great mediæval hunter, the Master of Game, said in 1402: “There
is no man in this world that would say that any hound can unravel that
which a hare has done, or that could find her. For she will go the
length of a bowshot or more by one way, and ruse again by another and
then she will take her way by another side and the same she shall do
ten, twelve or twenty times, then she will come into some hedge or
thicket and shall make semblance to abide there and then will make
crosswards ten or twelve times and will make her ruses and then she will
take some false path and shall go thence a great way, and such semblance
she will make many times before she goes to her seat.”
Shifts such as these, probably unrivalled in their subtlety, are
embodied in the incidents, based on observation or record, which make up
the present story of the hare, a story for the first time told at
length.
Imagination has of necessity supplied much of the description of a life
spent under the stars; but nothing alien to the hare’s habits and
character has been wittingly introduced, though what the outlook on the
world, what the thoughts of this and the predatory creatures entering
into the drama are, must ever remain a matter for speculation.
The narrative has been placed a century back, chiefly because the more
primitive days of a bygone Cornwall allowed the inclusion of more
numerous fauna, and permitted the use of a wilder setting.
For my aim has been to present a picture instinct with the spirit of the
wild, of the upland, moor, and cliff of the Land’s End at a time when
the prey and the beast of prey roamed the night fearless of snare and
gin—and man rarely intruded by day—under conditions, rapidly fading
into oblivion, which seem worthy of record before they disappear for
ever.
J. C. T.
ROSMORRAN, NEWQUAY,
Public-domain text, read in full here on John Shaqi.
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