Meanwhile Miss De Haro returned to San Francisco and resumed her work. A day or two later she was joined by her landlady. Mrs. P. had too large a nature to permit an anonymous letter, written by her own hand, to stand between her and her demeanor to her little lodger. So she coddled her and flattered her and depicted in slightly exaggerated colors the grief of Don Royal at her sudden departure. All of which Miss Carmen received in a demure, kitten-like way, but still kept quietly at her work. In due time Don Royal's order was completed; still she had leisure and inclination enough to add certain touches to her ghastly sketch of the crumbling furnace. Nevertheless, as Don Royal did not return, through excess of business, Mrs. Plodgitt turned an honest penny by letting his room, temporarily, to two quiet Mexicans, who, but for a beastly habit of cigarrito smoking which tainted the whole house, were fair enough lodgers. If they failed in making the acquaintance of their fair countrywoman, Miss De Haro, it was through the lady's pre-occupation in her own work, and not through their ostentatious endeavors. “Miss De Haro is peculiar,” explained the politic Mrs. Plodgitt to her guests; “she makes no acquaintances, which I consider bad for her business. If it had not been for me, she would not have known Royal Thatcher, the great quicksilver miner,--and had his order for a picture of his mine!” The two foreign gentlemen exchanged glances. One said, “Ah, God! this is bad,” and the other, “It is not possible;” and then, when the landlady's back was turned, introduced themselves with a skeleton key into the then vacant bedroom and studio of their fair countrywoman, who was absent sketching. “Thou observest,” said Mr. Pedro, refugee, to Miguel, ex-ecclesiastic, “that this Americano is all-powerful, and that this Victor, drunkard as he is, is right in his suspicions.” “Of a verity, yes,” replied Miguel, “thou dost remember it was Jovita Castro who, for her Americano lover, betrayed the Sobriente claim. It is only with us, my Pedro, that the Mexican spirit, the real God and Liberty, yet lives!” They shook hands nobly and with sentimental fervor, and then went to work, i. e., the rummaging over the trunks, drawers, and portmanteaus of the poor little painter, Carmen de Haro, and even ripped up the mattress of her virginal cot. But they found not what they sought. “What is that yonder on the easel, covered with a cloth?” said Miguel: “it is a trick of these artists to put their valuables together.” Pedro strode to the easel and tore away the muslin curtain that veiled it; then uttered a shriek that appalled his comrade and brought him to his side. “In the name of God,” said Miguel hastily, “are you trying to alarm the house?” The ex-vaquero was trembling like a child. “Look,” he said hoarsely, “look, do you see? It is the hand of God,” and fainted on the floor!