"Yes," Maxwell resumed, "slightly varied. I might have a private dinner this time; perhaps a dinner that Haxard himself is giving. Towards the end the talk might turn on the case of the unknown man, and the guests might discuss it philosophically together; Haxard would combat the notion of a murder, and even of a suicide; he would contend for an accident, pure and simple. All the fellows would take a turn at the theory, but the summing-up opinion I shall leave to a legal mind, perhaps the man who had made the great complimentary speech at the public dinner to Haxard in the first act. I should have him warm to his work, and lay it down to Haxard in good round fashion, against his theory of accident. He could prove to the satisfaction of everybody that the man who was last seen with the drowned man--or was supposed to have been seen with him--according to some very sketchy evidence at the inquest, which never amounted to anything--was the man who pushed him off the bridge. He could gradually work up his case, and end the argument with a semi-jocular, semi-serious appeal to Haxard himself, like, 'Why, suppose it was your own case,' and so forth, and so forth, and so forth, and then suddenly stop at something he notices queer in Haxard, who is trying to get to his feet. The rest applaud: 'That's right! Haxard has the floor,' and so on, and then Haxard slips back into his chair, and his head falls forward---- I don't like death-scenes on the stage. They're usually failures. But if this was managed simply, I think it would be effective." The actor left the table and began to walk about the room. "I shall want that play. I can see my part in Haxard. I know just how I could make up for him. And the play is so native, so American, that it will go like wildfire." The author heard these words with a swelling heart. He did not speak, for he could not. He sat still, watching the actor as he paced to and fro, histrionically rapt in his representation of an actor who had just taken a piece from a young dramatist. "If you can realize that part as you've sketched it to me," he said, finally, "I will play it exclusively, as Jefferson does Rip Van Winkle. There are immense capabilities in the piece. Yes, sir; that thing will run for years!" "Of course," Maxwell found voice to say, "there is one great defect in it, from the conventional point of view." The actor stopped and looked at him. "There's no love-business." "We must have that. But you can easily bring it in."