Dramatists -- Fiction; Married people -- Fiction; Theater -- Fiction
His name was Godolphin, for he had instinctively
felt that in choosing a name he might as well take a handsome one while
he was about it, and that if he became Godolphin there was no reason why
he should not become Launcelot, too. He did not put on these splendors
from any foible, but from a professional sense of their value in the
bills; and he was not personally characterized by them. As Launcelot
Godolphin he was simpler than he would have been with a simpler name,
and it was his ideal to be modest in everything that personally belonged
to him. He studied an unprofessional walk, and a very colloquial tone
in speaking. He was of course clean-shaven, but during the summer he let
his mustache grow, though he was aware that he looked better without it.
He was tall, and he carried himself with the vigor of his perfect
health; but on the stage he looked less than his real size, like a
perfectly proportioned edifice.
Godolphin wanted the Maxwells to come to his hotel in Manchester, but
there were several reasons for their not doing this; the one Maxwell
alleged was that they could not afford it. They had settled for the
summer, when they got home after their brief wedding journey, at a much
cheaper house in Magnolia, and the actor and the author were then only
three miles apart, which Mrs. Maxwell thought was quite near enough. "As
it is," she said, "I'm only afraid he'll be with you every moment with
his suggestions, and won't let you have any chance to work out your own
conceptions."
Godolphin had not failed to notify the public through the press that Mr.
Brice Maxwell had severed his connection with the Boston _Abstract_, for
the purpose of devoting himself to a new play for Mr. Launcelot
Godolphin, and he thought it would have been an effective touch if it
could have been truthfully reported that Mr. Godolphin and Mr. Maxwell
might be seen almost any day swinging over the roads together in the
neighborhood of Manchester, blind and deaf to all the passing, in their
discussion of the play, which they might almost be said to be
collaborating. But failing Maxwell's consent to anything of the sort,
Godolphin did the swinging over the roads himself, so far as the roads
lay between Manchester and Magnolia. He began by coming in the forenoon,
when he broke Maxwell up fearfully, but he was retarded by a waning of
his own ideal in the matter, and finally got to arriving at that hour in
the afternoon when Maxwell could be found revising his morning's work,
or lying at his wife's feet on the rocks, and now and then irrelevantly
bringing up a knotty point in the character or action for her criticism.
For these excursions Godolphin had equipped himself with a gray corduroy
sack and knickerbockers, and a stick which he cut from the alder
thicket; he wore russet shoes of ample tread, and very thick-ribbed
stockings, which became his stalwart calves.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account